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Holly J. Hughes

HOLD FAST, Holly J. Hughes. Empty Bowl, 14172 Madrona Drive, Anacortes, Washington 98221, 2020, 115 pages, $16 paper, www.emptybowl.org.

Rereading Hold Fast made my day. Among other superlatives I can offer about this collection, it’s a perfect book to hole up with during a pandemic. I knew this before Claudia Castro Luna, writing for The Seattle Times, closed her editorial (“Sheltering in Place, Our Inner Poet Soars”) with Hughes’s poem, “Holdfast.” (Click on the link to read Castro Luna’s wise words.)

One paradox of these poems is the way Hughes manages a deft and powerful critique of the world, while celebrating it: “all that can’t be said…./ the bodies, the dreams, the shattered stars flowing down / to where the river weaves the mustn’t tell with the imagined, / the unseen, the unheard, the fragile….” (“If the River”).

And the epigraphs! This one, amid others:

If there is a world, let me be in it.
Let fires arise and pass…
Let the old hopes be made new.
Let stacks of clouds blacken if they have to
but never let the people in this town go hungry….
If there is a world where we feel very little,
let it not be our world.

Joanna KlinkExcerpts from a Secret Prophecy

It was difficult to choose just one poem to share. But I think this one:

Against Apocalypse

No more crying over spilt milk, turned wine, over rain
that won’t fall, over calendar pages leafing in the wind

as decades blow past, wind that once lifted tenderly
each blade of grass now taking down towns.

Meanwhile, the earth spins on her axis, day and night arrive
on schedule, but seasons on strike, certainties flown

with the birds, ocean lapping, hungry at the shore.
Why do so few say it: the end of the world at hand. 

Still we post photos of risotto, take selfies
at the beach of our bodies buried in the sand.

We hunker down with YouTube, binge
on Netflix, take up Zumba. Meanwhile

politicians lead us like lemmings for the cliffs,
while the rest freeze in future’s brights.

Meanwhile, the earth keeps spinning. Sun rises & sets.
Civilizations come & go. We won’t be the first,

though we may be the last. But remember your neighbor,
who showed up with a pot of chicken soup, still steaming,

the day you lost power. Another who shoveled you out,
drove you to the ferry in his battered four-wheel drive.

Who knows what’s ahead: fast burn or slow freeze,
asteroids, black holes, exploding galaxies?

If someday none of us can see the sun,
remember this: the world you want to inhabit.

I’m so glad to be in the world amid these poets and these books. Thank you for reading along with me.

Karen Whalley

MY OWN NAME SEEMS STRANGE TO ME, Karen Whalley. Off the Grid Press, 2019, 65 pages, $16 paper, www.grid-books.org.

I have known Karen Whalley for at least 30 years and consider her one of my dearest friends. All the more amazing, then, that her poems continue to surprise me, and make me swoon. But don’t take my word for it. To quote the late Tony Hoagland (himself, a national treasure) from the book’s cover:

These beautifully clear, meditative poems have it all; dexterously situated in daily experience, they meet with the difficulties of lived life, with a deep, often heartbreakingly honest and humane insightfulness. Fluent, full of breakthroughs and surprises, these extraordinary poems never seem to falter; Whalley is an extraordinary poet, and this is a book in a thousand.

I had a terrible time trying to pick out just one poem to share. This is the first poem in the book:

Naming It

Before dawn, from the gully where the creek abides
A bird whose name I do not know practices
Its five-note song, and I am a girl again
Sitting at the piano repeating a simple scale.

The bird sings, the sun rises, as if there were a connection,
And my feet do not reach the pedals as my hands
Spread, like wings, across the keys. The wound

Is easier to name: the father did not love,
And after that it was the husband, but the bird and the piano
Remind me of that man who read the same book
For thirty years, memorizing each sentence

As a way to perfect his understanding
Of the book whose name I never learned.
I would see him each morning on the corner
Waiting for the bus, the book spread

Across his hands, like wings at rest, peering into the pages
With his glasses slipping farther down his nose
So he had to tilt his head back as he stood there–

Dissolved into his book, like the bird dissolving
Into morning, the way the piano dissolves into the box of memory.

Carla Shafer

AUGUST POETRY POSTCARD FESTIVAL 2011, Carla Shafer. 2011. self-published, 32 pages,  https://chuckanutsandstone.blogspot.com/.

My dear friend Carla Shafer is a force to be reckoned with. In addition to being a fine poet (and coordinating multiple poetry events in her hometown of Bellingham, Washington),  she’s a political activist for peace and justice, and a fierce advocate for indigenous peoples, as well as our beleaguered planet.  No matter how bleak the headlines, she never despairs, but always sees a way through. She inspires me every day.

I have several of Carla’s self-published chapbooks of poems and I’ve been after her to pull together a collection to submit to presses. Here is one poem, written nine summers ago. (To learn more about the August Poetry Postcard Festival, visit Paul Nelson’s https://popo.cards/.)

Beauty and My Story Return

To see for the first time (with your own eyes),
the steady up and down flux of wings
by a stilled butterfly and realize what it means–
that it is sucking nectar through its proboscis
in rhythm, feeding from the pool below the petals.
When you compare that to something you have watched
all your life–noisy bees hovering over borage
and lavender–you continue to wonder, follow the
threads of your own unanswered questions
step again to the drum, apply pressure
from your fingers wing-like, tap in steady motions
repeat the throbbing of the earth, buried in your heart
somewhere between the buzz and the silence.

–Carla Shafer

Sue Sutherland-Hanson

Because it is National Poetry Month and I have a goal of writing a poem a day, I’m also reading a lot of poetry.

This morning I read Stars and Strangers, poems by Sue Sutherland-Hanson. (Finishing Line Press, Georgetown, Kentucky, 2016, 27 pages, $14.99 paper, www.finishinglinepress.com).

Sutherland-Hanson was a northwest native and taught at Edmonds Community College. Her poems play familiar chords: Pentecostal churches and clamming shovels, Napa Auto Parts and camping fires. But they range into a global territory, too, encompassing struggles that might be drawn from the headlines, or from the stories of her international students.

If you took seriously my prompt yesterday to write a bird poem, Sutherland-Hanson could inspire you with “Of a Feather,” where each stanza describes a different bird, and each reminds us that humans are not our only kin on this planet:

A great blue heron tilts his head,
slow-motion fishes my pond.
I have never done anything
with that much
patience.

Sue Sutherland-Hanson was my age, and she died, too young, in 2018, the same year I lost my mother. Little wonder that this sonnet especially resonates with me:

Keeping Vigil

She sits silent, back bent against her season of dying,
unrelenting, leans against her hardest winter yet,
weakens in the wear of each day, shuffles expectant
’round time’s bend, surprised not to find death yet.

It’s hard to see her wait — hard this letting go, more
letting go. But, were she stronger and we found her
gone, wouldn’t we wail, it’s too soon for dying; she was
so alive? 
This way we pace life’s fence-line with her,

wonder about our own deaths. Will we weaken
while loved ones worry, perish in smashing cars
or gulp freezing seas replacing air? Will we drop
mid-sentence or crawl wheezing into the beyond?

Even though we watch her stare into the clear expanse,
we’ll gasp, shocked she found the opening and left.