Sally Albiso, LIGHT ENTERING MY BONES
LIGHT ENTERING MY BONES, Sally Albiso. MoonPath Press, P.O. Box 445, Tillamook, OR 27142, 2020, 96 pages, 
$16.99, paper, http://MoonPathPress.com.
Because it is the last day of National Poetry Month, I decided this morning (April 30) to reread Sally Albiso’s Light Entering My Bones and share it with you. I hardly know where to begin, so, simply: these 61 poems, divided into 4 sections, completely bowled me over. Bittersweet? Poignant? Of course. Sentimental, not at all. Bold, yes. Deeply and beautifully wrought, moving? So much.
You’ll want to have your tissues nearby—the poems document Albiso’s diagnosis of pancreatic cancer, and her decline. But be reassured, too. She holds our hand all the way through, a close friend walking us home in the dark. “When the Snow Falls,” begins one poem, drifting from the title into the first lines: “and stars congeal, plummeting to earth / in frigid descent, we go out to greet them. / We make angels of our bodies / and petition the stellae to remain with us.” I think that sums up the book’s task as well as anything. Life is precious and fleeting; pay attention.
I’m tempted to try to do something skillful in picking out the subthemes. But perhaps sharing a poem will be enough. In this one, birds:
Birds Reside in Me
I cough up feathers
and dream of singing,
light entering my bones.
Ruby-crowned kinglets
flutter about my heart like valves
while gulls keen in my liver
like heirs feigning grief.
They want more of everything.I open my mouth
so blackbirds lining my stomach
escape. How they call all day,crowd the feeder, dark and slick
as if brushed with butter.
I’d bake them in a pie, brown their cries
beneath a flaky crust
until the house smellsof caramelized need,
the sweet scent of the satiated—
but I’ve only this throat
and a voice that fades.
When kingfishers dive
into my bloodstream
to gather platelets like fish,
I begin to bruise, contusionsdecorating my body in the shape
of shadowed swimming. I scratch
at skin’s surface as if it were water
through which salt rises, take deep breaths
and submerge beneath sleep
while grosbeaks peck at the suet
between my ribs, an ache
like being elbowed aside.—Sally Albiso
In Light’s introductory essay, Carmen Germain writes about exchanging poems with Albiso, and emphasizes the “honesty and truth” of this chronicle. Consider these final lines of “Ambulance”:
In the morning,
an obstructed duct will be opened
so bile will flow freely againand be passed by the body—a struggle
to live without bitterness.
If the poems feel at times brutal, they are brutally honest. They are also, as Karen Whalley points out in her appreciation of this book, “At their core, love poems,” “almost apologetic that [her husband] must be both witness and participant to her dying.” Her husband is an important character here. Consider the prose-poem, “Letter She Wrote Him,” where Albiso concludes, “Stars here, the sky a great camp with its fires lit, and daily the winter wren serenades, body turned to plea. Do you know the origin of mercy? From the Latin merces—the price paid for something.”
If I could I would write a whole essay on how, in the second half of the book, Albiso delicately leaves a trail of salt, glimpses of Lot’s wife, as if reminding her beloved—and us—to keep our faces forward and not look back.
The poems lead us forward. Hope in the dark. A promise of light.
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I reviewed Albiso’s 2018 book, Moonless Grief, in 2023. You can find out more about her at her page at MoonPath Press, and at Finishing Line Press.
contemporary moment both to our nation’s fraught founding history and to a sense of the spirit, the everlasting. Here, private utterance becomes part of a larger choral arrangement as the collection includes erasures of the Declaration of Independence and correspondence between slave owners, a found poem composed of evidence of corporate pollution and accounts of near-death experiences, a sequence of letters written by African Americans enlisted in the Civil War, and the survivors’ reports of recent immigrants and refugees. Wade in the Water is a potent and luminous book by one of America’s essential poets.
collection, but busy, too—like a care-taking daughter—with minutiae. Doctor appointments, dust, hospital rooms, post-it notes nudging a failing memory, loss.
Then I stumbled across this one, sat down, and read it all the way through. Arthur Sze has long been one of my favorite poets, and Sight Lines is a book I already knew well. I’ve studied the poems and shared them with my writing group. But reading the whole book, all in one go, was a very different experience. (I recommend both approaches.)