My Slow Christmas

I’ve mentioned before how much difficulty I’ve had getting into the spirit of the season. I know I’m not alone. And I have been “busy.” Aside from obsessing about politics (looking forward to having it all take a back seat–as David Brooks has promised), I have several different writing projects going.

And I’ve been acting “as if“: sending out a massive amount of Christmas cards, sneaking in some shopping and trying to organize gifts for my daughters to pick up at the house. I’ve been negotiating our Boxing Day Zoom for opening gifts (as our youngest daughter is working today and tomorrow). I’ve been hanging out with my old dog. I’ve kept up with my goal to walk 5 miles a day. On the Solstice, given torrential rain, and snow (!), I did almost the entire 5 miles inside the house. (Pabu and I did make it outside for a bit in the early evening–a Tibetan Terrier, he likes snow.)

But now it’s Christmas Eve, and I’m feeling that maybe an Ann Cleeves’s novel and some tea and shortbread are in order. Even if I can’t get the picture to shift.

One of the gifts I splurged on for myself recently was to sign up for BookFox’s “Master Your Writing Time” course. I’m dawdling my way through it, but finding–despite my best efforts, or the opposite–that it has helped. Some of the lessons are action tips, and adopting the Pomodoro method has worked beautifully for me. Sitting for very long makes me feel achy and stiff. But working for just 25 minutes, then spending 5 minutes moving around, doing a few chores (avoiding my phone & computer), has been pretty amazing.

Then I came to his lesson “Hasty Writing vs. Slow Writing.” As a huge fan of Louise DeSalvo, I was already primed for what Matthew Fox called a “mindset” lesson. It ended with a link to the blogpost below.

I’ll still find a way to walk my 5 miles today. But I wish us both a slow Christmas.

Writing Will Save Your Life

I’m in a mood today for dramatizing. Will writing save your life? All I know is that it saved mine and I’ve made it my business to try to understand how writing saved me, and how it can keep saving me. Louise DeSalvo has been one of my mentors—not that I know her, personally, but I’ve read her book, Writing as a Way of Healing, about 100 times. DeSalvo doesn’t flinch from the difficult, in fact, that’s exactly what she goes after:

Writing about traumatic or troubling life experiences initially unleashes difficult, conflicting emotions. In the long run, though, we feel better emotionally and are healthier and achieve a level of understanding of our lives that only writing can provide. Safe writing—writing what we already know or understand, writing that is superficial—won’t help us grow, either as people or as writers. For our writing to be healing, we must encounter something that puzzles, confuses, troubles, or pains us. (p. 93).

And that’s why you don’t get to go back to bed and sleep through the next six week news cycle.

I recently came across this KUOW story about poet Colleen J. McElroy and wanted to share it—she’s a walking, breathing example of writing’s power to sustain us. (Click on the link to go to the story/video.)

Hunkered down at 85

Colleen J. McElroy

DeSalvo continues:

An outgrowth of the kind of writing that digs deep, that takes risks, that arises from our desire to explore the unresolved emotional puzzles or ongoing pain in our lives is that we “gain greater psychological freedom” (as Albert M. Rothenberg, M.D., has observed) and greater range and depth in our artistic expression… (p.92)

I can’t imagine living any other way.

The Land of Overwhelm

I talked to my friend Carla this afternoon while I took my second walk of the day. After a sunny morning, the sky was overcast and the air felt close. Before I was finished I swear I felt a drop of rain. Carla said she was struggling a bit: “Maybe it’s the pandemic. But it’s not just that.”  I have been feeling antsy and, frankly, a little crazed, myself. Today I looked at the sky and reminded myself of how much impending weather plays with my moods.

I am finished with my mystery novel and poised to get it out to agents. Poised to begin in earnest with typing the new mystery (so far scribbled into various notebooks). I’m also making a valiant effort to pull together a poetry manuscript. My present writing mood is an anxious grieving coupled with a feeling of being about to burst … maybe into bloom. I’m not sure yet.

My youngest daughter is in California with a friend. “Do you know there’s a pandemic?” I asked her, and she said, “Can we use your car?” Right now she’s staying with an old friend of mine, who–like me–has an empty nest and a great need to mother somebody. She talked the kids into canceling their hotel reservations in San Diego and spending three more days with her and her husband. So that makes me happy. It makes me happy that Emma was in the ocean today and saw five dolphins and a pelican. Despite everything else going on in the world, there are also dolphins.

Who knows why (or check “all of the above”) but this weekend I have spent a bunch of hours reorganizing one of my writing spaces. On Friday afternoon, I decided to move a big file cabinet from a corner of the playroom downstairs to my “zoom room” upstairs. First, I had to empty it. I found records for my 1981 Datsun, a copy of my wedding invitation, and six months of bottle-feeding and diapering records that we kept when our twins were born — from July 12 to mid-December 1993. (Good grief, what were we thinking?)

I also found drafts of novel openings that never went anywhere, short stories I had forgotten I ever wrote, tons of old Creative Writing Program journals, and stacks and stacks (and stacks) of poetry. I had kept every program for the old Castalia reading series, and other people’s poems from four years of Professor Bentley’s workshops–four quarters per year, labeled and dated. 

From all of these, I kept copies of my poems with Nelson’s comments on them. I kept a handful of the Castalia programs and a copy of the news article about his death, at age 72, of cancer. I kept my wedding invitation.

I felt a little like Theodore Roethke in his “Elegy for Jane.” (If you don’t already have it memorized, click on the link to hear Roethke read this 22-line poem for his student.) Or, I don’t mean his experience in the poem, but the story Nelson told us: that when Roethke came across his student Jane’s poems in his office files, he gave the bundle of papers a kiss and threw it into the trash.

I threw most everything into the recycle bin. So many people I will never see again. So many poems that I thought someday I would make the time to reread. Maybe I didn’t feel like Roethke. I felt more like Jane, as though I were a ghost, “waiting like a fern, making a spiney shadow.”

But I also felt lighter. I felt a little more able to move forward. Or to imagine moving forward.

Before I finished for the day, rain began. The dark swooped in a little earlier this evening, along with that smell that is partly rain, partly chill, and partly the scent of woodsmoke. It reminded me that even in the “Time of Corona” (as another friend calls it), one season is ending and another tiptoeing into the room.

Carla’s right. It’s the pandemic, and it’s not the pandemic.

 

John L. Wright

THE LOVELINESS OF THIS WORLD, John L. WrightFinishing Line Press, PO Box 1626, Georgetown KY 40324, 2020, 36 pages, $13.00 paper, https://www.finishinglinepress.com/.

It is always a pleasure to recommend a local poet. Wright lives in Edmonds and until 1988 was a physician at Swedish Medical Center. I’m so glad he made his way in retirement to poetry, or that poetry made its way to him.

Among many poems taking a fond look at people and dogs he has known  (and many, lost), The Loveliness of this World also catalogs Wright’s walks through a northwest landscape. After I walked at Japanese Gulch in Mukilteo this afternoon, I sat in my car and read this prose poem:

Walking in the Woods without an iPhone

–the red crest of pileated woodpeckers their drumming the whinnying flight of the flicker its white rump the call of the owl the eagle and the quail the basket bark of cedar the insipid taste of salmonberries the wild huckleberry’s tartness licorice fern rooted in the bark of big-leaf maple the purplish blush of alder its hanging catkins the Indian plum its white blossoms the leathery leaves of salal the yellow flowers of Oregon grape the fragrance of evergreen after rain.

Yes, I thought, exactly so

Let me add that this poem is not representative of the collection–many beautiful, more conventional poems I could have chosen–but I love the joyful and playful compression of this.