The Whole Fam Damily

lusk family

This picture of my mother’s family hung on the wall of my childhood home, and I saw it in many of the houses I visited frequently as a child. Mom is about fifteen years old here, the first girl on the left in the front row, sitting beside her father. All told, my grandparents had fifteen children. One died as an infant; the others grew up to have families of their own. My mother was the eleventh child, daughter number ten. She often joked that she didn’t have friends, she had sisters, and because I grew up on the family farm in southwest Washington, where my mother was born, I knew this reality intimately. My grandparents lived in a house a little ways down the creek, a house which their sons and sons-in-law built.I had cousins who were only a year or two younger than Mom, and their children were my age-mates. Who needed friends, when I had so many cousins?

When my Aunt Aronda died in March, at the age of 94 (she is to the left of the oldest brother, in the back row), it left us with only six of the original siblings. Aunt Aronda’s death reminded me of how much loss my mother has endured in recent years. And I felt keenly my own loss.

Losing my aunt, who took me in when I was twenty and couldn’t figure out how to leave home, a woman who I continued to visit and call over the years, felt especially hard. She was smart and always full of news. “Sharp as a tack,” as we say. Since my mother’s decline began a few years back, I had gotten into a habit of telling her she was my role model. She liked to wake up in the morning and sit outside with a cup of coffee. She liked to talk on the phone. And she still liked to read, which is just one thing among many that my mother has lost.

At 94, I would like to still be getting up every morning and writing. No matter what I write about, I know I’ll keep circling back to that over-populated childhood, and that farm that nurtured so many childhoods besides my own.

Your Brain on Writing

I’ve been reading (devouring) Fire Up Your Writing Brainby Susan Reynolds (click on the title to go to her blog). Late in the book, Reynolds quotes Margaret Atwood on why a writer should read her own work aloud, a long-time practice of my own.

Black marks on a page are like a musical score, they don’t come to life until they are being played. A score for violin is not actualized until somebody takes up a violin and plays the music. That’s when it turns back from paper and ink into music. Pages are like a magic freezing mechanism whereby you take a voice and you put it into a score on the page — it’s a score for voice, it always is — and it becomes actualized again when somebody reads it and turns it back into a voice. –Margaret Atwood

Photo by Steve Johnson from Pexels

Reading aloud is a great tool for self-editing, but I think this quote speaks, even more, to the alchemy of the writer-to-reader link.

I am trying to remember when I was first given the advice to read my work aloud. My poetry professor at the University of Washington, Nelson Bentley, used to tell us to, but I think it came before, in my very first literature class at Edmonds Community College. Pat Nerison had assigned a paper on the poems we had been reading, and she recommended that we read them aloud before we began writing. “I have roommates!” I protested. “Go in the bathroom and turn the water faucet on,” she said. “They won’t hear you.”

Best Practices

truck

What to do with an abandoned pickup? Grow wildflowers in it!

I’ve been thinking, for various reasons, about this phrase, “Best Practices,” which I was introduced to a long time ago, in graduate school and when I was teaching as an adjunct. The idea as I understood it then was that in a situation that is stubbornly imperfect — an intractable situation, or one in which you don’t have much control — listing the best practices possible will give you some traction just when you most need it.

This could be a journaling assignment. First try listing your intractable situations, the situations that you just don’t know what to do about; the people or relationships who can’t be easily “solved,” if at all (think of that person who you can’t change); a piece of writing that refuses to lie still on the page.

Then choose one and list the small, useful things that you might do, or that maybe you are doing.

For some reason I’m reminded of a bizarre to-do list that made the rounds of email several years ago. It included a bunch of ridiculous items, which I don’t remember, but it had two that I found rather useful. One was, “Write a list of what you’ve already done and then check all the items off.” That made me feel so much better! The other was one that my kids and I loved: “When someone is behaving badly at a meal, look at them through the tines of your fork and pretend they are in jail.” Totally worked! For a long time this was a “best practice” for our family. It reminded us to laugh and it clarified for the offender that they were misbehaving.

When you’re feeling really really stuck on a writing project, maybe your best practice could be to reread a paragraph or a page written earlier. Maybe a best practice is to type up something written in longhand, or to retype a poem into a new form with shorter or longer lines, or tercets instead of quatrains. Impossible to imagine even this amount of progress? What if you just opened your notebook and sat with it in your lap for a minute or two? What if you just imagined yourself writing? fork

This week I have done a lot of driving and I’ve had lots of appointments and errands and
meetings. My daughters have been a teensy bit demanding. My mother had a doctor’s visit that I needed to attend. My best practice was to carry a book and a notebook and pens and highlighters everywhere I went. When I had a little time in my writing cabin, feeling frazzled and apt to be interrupted at every moment, I set my timer for fifteen minutes and sorted a pile of papers until I found the three short stories that I knew I had already printed out. When I couldn’t find enough time in which to work (whatever “enough” would look like), yet felt desperate to work, I reread the opening of one story and made a few notes. And ran to my next thing.

I have to admit, it’s Saturday night, at the end of this busy week, and I’m feeling weirdly elated. I think it’s because I decided I was going to make the best of things, in fact, that I came up with my first short story idea in eons — this week.

What best practices might you come up with, for your intractable stuff?

One Small Step

I recently came across a small book titled One Small Step Can Change Your Life: The Kaizen Way. The author, Robert Maurer, didn’t really tell me anything new, but he did reinforce beautifully what I already knew. And in an extremely simple way.

As it is a small book, One Small Step was also pretty easy to just … well, read, all the way through. The interesting thing is how (given how much I read) it has stuck with me.

I’m always preaching the wisdom of writing for just 15 minutes. Robert Maurer breaks that down even further. How about five minutes? Still can’t get yourself to do it? How about one minute? What if you just thought about the change, deliberately, intentionally, for a few seconds every day at a given time?

“The little steps of kaizen are a kind of stealth solution….Instead of spending years in counseling to understand why you’re afraid of looking great or achieving your professional goals, you can use kaizen to go around or under these fears.”

One Small Step includes the story of a working, single mother Maurer encouraged to walk in place for one minute, during a commercial break of a TV show she liked to watch after her kids were in bed. For a writer who wants to start a journal habit, but has been unable to, Maurer suggests sitting with the notebook open, pen at hand, for a minute. A minute! He addresses a lot of subjects — test anxiety, relationships, business goals — and in every case, he suggests the smallest possible components toward building a solution.

Of course the beauty of writing for fifteen minutes isn’t because, over a span of days, the minutes will begin to add up, but that dedicating a little thought, a little willingness to go in the direction you want to go, tends to create more of the same.  The science of it has to do with building new nerve pathways. But you don’t need to understand the science to know that it works.

I don’t know why we feel so much resistance to doing what we in fact want very badly to do (be healthy, get in shape, write a book, travel, fill-in-the-blank-for-yourself), and I have been told that there are people who in fact don’t feel the resistance; they just do it. But if you’re like me, you could begin by brainstorming how to break down what you want to achieve into its smallest conceivable component — this morning or in your life (or both). Then, just do that one small thing.

I won’t go into full-lecture mode about “repeat daily.” But how can you say no? One minute!

The journey of a thousand miles begins with one step.