Conflict

It’s Wednesday afternoon. I am  still working on the papers I was supposed to return to my students on Monday, and now I have two new sets of papers to grade. I get this choked up, weepy feeling. I want to go to my boss’s corner office and say, “I’m done. I quit.” I can’t remember why I wanted to be an English teacher. I don’t think this is my vocation, a calling. Maybe I should have kept waiting tables. Maybe I should have kept my job as a bank teller. I would like to go home and crawl into bed. I’d like to pull the covers over my head and take a long nap.

Then I remember my students. There’s L, who just dropped by my office to pick up her paper. I want her to turn her brief portrait of her horse into something more, to let him become a character who her readers will fall in love with just as she once did. I can see the longer creative nonfiction paper she might finish the quarter with. It will have sections about equestrian therapy and a section about barrel racing. It will have a character portrait of the kitten she adopted at the stables.

And there’s J, whose paper I just finished rereading. He has written about surfing and a late night encounter in a bar. They’re both interesting stories, but I think he needs one more story that will deepen the whole piece and show us what he learned and what we need to learn. Possibly he hasn’t learned it yet, in which case he will have to learn it in order to finish this story.

In life, we avoid conflict. In stories, we have to embrace it.

A lot of times, when I read my students’ papers or listen to them in my office, I realize that they haven’t yet embraced their conflicts. They’re  just living. They are getting through this thing that happened and onto the next thing. They’re watching TV and texting and playing Angry Birds. But what they have to do now is reread their own stories, to concentrate, and to figure out what it is they need to face. They need to face that.

As an especially good example, there’s my student M, whose brother sent him a letter just before he was killed, a letter that M has not yet opened.

The problem with writing true stories is that our conflict avoidance gets in the way of writing our stories.

There is something that teaching has not yet taught me. Had I learned it, then maybe I’d be done.

 

 

Blog Envy

I read today’s post at The Pen and the Bell, and wished it were mine (great message, amazing picture). The next best thing I can do is share it with you: http://www.penandbell.com/thank-you/

I’m thankful for writing friends like Holly Hughes and Brenda Miller. I’m thankful for readers, too.

 

 

The Writer’s Almanac, Nov. 19, 2012

Garrison Keillor’s poem today is Louise Erdrich’s “Advice to Myself.” Given that I have wasted much of the day being angry at my husband for asking me to rinse out a cereal bowl, it’s good advice to me, too.

Plus we get the added benefit of listening to Garrison read a poem. An experience of calm.

Rinse out the bowl, Bethany. Move on.

Repositioning…

Okay, I’m thinking of what it is that my sister’s GPS says to her (in its sexy English accent) when we make a wrong turn (which we do fairly frequently as we when we are together as we are talking too much to pay attention to the GPS). Is it “repositioning”? Re…?

That’s what I’ve been trying to do over the last several days. Going to Boston and the Gell Center was such a gift of time, as well as energy–which seemed to simply flood into me and fueled a full eight days of invention. Then, the trip home, which given the timing of Hurricane Sandy had its own heady quality. Seeing my daughters and husband again–that was good, too. But getting back to the maelstrom of teaching (not my students’ fault, mine in fact for scheduling all of their midterm papers to be turned in the week I returned) and meetings and doctor appointments…that was…taxing. I could get a little time in each morning on the novel, but not very much. Then one day I overslept and missed my morning writing time altogether. Now I’m in Chehalis at Mom’s place.

I’m going to challenge myself to write a series of blogposts about finding time–and energy–for writing. The truth is, I’m not the only writer in the world who has a day job. Most writers have day jobs. Some of us get to teach writing, which can be a drain of creative energy, but any occupation can drain one’s energy . Isn’t being a carpenter creative work? Isn’t a realtor always trying to help imagine a new life for someone or other? A massage therapist? A 7-11 clerk? Is there a job that an imaginative, curious, thoughtful person cannot expend creative energy on?

Maybe one way to reclaim energy, if not time, is to reframe this equation. In what ways do my students nurture and encourage me? In what ways do they infuse me with creative energy?

Writers write because they are writers, not because they have scads of time waiting to be filled.

A wise friend once told me that God is always waiting to create a new path for us home. A little like my sister’s GPS.

(Recalculating! That’s what it says!)