The Poet in Paris

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Yes, that would be me — on my way to France for the very first time, using my very-seldom-used passport and packing my poems and leaving tomorrow morning! I’m traveling with my friend, poet and photographer Francine E. Walls (whose poem you may remember from a few weeks ago), and we’ll begin with a week in Chartres, for a workshop with Christine Valters Paintner. Then it’s on to Paris, and what Francine promises to be a fabulous introduction to the City of Light.

My daughters dared me to zip-line off the Eiffel Tower, and although they were responsible for my kissing the Blarney Stone in Ireland, some dares you just don’t have to take.

Anywho, this is just a quick post to let you know I now have a better excuse for not being caught up with the blog. Over the next two weeks, you can follow me on Instagram to see daily highlights.

Here’s a poem in the meantime:

Mirabeau Bridge

TRANSLATED BY DONALD REVELL
Under Mirabeau Bridge the river slips away
          And lovers
    Must I be reminded
Joy came always after pain
         The night is a clock chiming
         The days go by not I
We’re face to face and hand in hand
         While under the bridges
    Of embrace expire
Eternal tired tidal eyes
         The night is a clock chiming
         The days go by not I
Love elapses like the river
         Love goes by
    Poor life is indolent
And expectation always violent
         The night is a clock chiming
         The days go by not I
The days and equally the weeks elapse
         The past remains the past
    Love remains lost
Under Mirabeau Bridge the river slips away
         The night is a clock chiming
         The days go by not I
Guillaume Apollinaire. “Mirabeau Bridge” from Alcools, English translation copyright 1995 Donald Revell and reprinted by permission of Wesleyan University Press.
Source: Alcools (Wesleyan University Press, 1995)

Are you neglecting your blog?

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I have been sadly neglecting my blog, but working on other projects — one of which is a picture book for the family about my parents’ lives. Another of which has been reading poetry each morning (and writing one-bad-poem of my own). When I came across this poem by Ted Kooser, I thought of this picture from the family archives.

The Great-Grandparents

As small children, we were taken to meet them.
They had recently arrived from another world
and stood dumbfounded in the busy depot
of the present, their useless belongings in piles:
old tools, old words, old recipes, secrets.
They searched our faces and grasped our hands
as if we could lead them back, but we drew them
forward into the future, feeling them tremble,
their shirt cuffs yellow, smoky old woodstoves
smoldering somewhere under their clothes.

-Ted Kooser (from Kindest Regards: New and Selected Poems; Copper Canyon Press, 2018)

National Poetry Month

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I had two big deadlines over the last week — and I slid in under the wire on each of them. I had a personal goal to submit my mystery novel to PNWA, deadline March 29, and who knows how good my entry was but I put everything into it, I took a deep breath, and I hit “send.”

On Monday, April 1, my work was due for the Creative Nonfiction class I (foolishly) enrolled in back in December. (Was it foolish? Didn’t it help me keep writing in spite of all obstacles?) The assignments challenged me, and they included updating my CV and creating a “list of works” that forced me to take a look at what I’ve accomplished over my writing career and reassess my submissions process. I won’t even try to update you on everything else I’ve had going on.

It took everything I had to get these two items off my desk. I felt proud of myself. And I’m exhausted. Late on Monday I bought flowers for my containers on my back deck and I spent Tuesday afternoon digging in the dirt.

Usually I have an April — National Poetry Month — blog project, but not this year. What I DO have are two readings:

The first is Monday, 8 April, 1:30 p.m., at the Rexville Grange Art Show. I’ll be reading with other members of the Writing Lab and in addition to seeing local artists and art — and tulips — we would love to see you there. Refreshments provided.

The second reading is Saturday, 13 April, noon, at Edmonds Bookshop,  where I’ll be reading with Port Angeles poet, Karen Whalley. The author of The Rented Violin (Ausable Press, 2003) and My Own Name Seems Strange to Me (Off the Grid, 2019), Karen is not only my dear friend, but an extraordinary poet, and I can’t wait to hear her read from her new book.

 

Surviving and Thriving…

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In my journal each morning I write down my goals, big and small. I draw my circle and put my number-one focus inside it. Then the day unfolds–or (as it seems lately) unravels. What’s the nature of this message for me? What’s my assignment in the face of this?

Even on those mornings when I lose faith in my ability to handle any of it, Parker Palmer continues to inspire and nudge me along a path of compassion and understanding. For the people around me. And for myself.

In The Circle the sixth element is Coherence. One correspondent gave me a call, and told me all she was doing to work on congruence. Ah, I said.

Laura Day writes about finding ways to make your outer life look like your inner life–that’s congruence. And congruence is something Parker Palmer writes about in A Hidden Wholeness, too.

image from Wonderopolis.org

“We can survive, and even thrive, amid the complexities of adulthood by deepening our awareness of the endless inner-outer exchanges that shape us and our world and of the power we have to make choices about them. If we are to do so, we need spaces within us and between us that welcome the wisdom of the soul–which knows how to negotiate life on the Möbius strip [our inner and outer life at once] with agility and grace.” (A Hidden Wholeness 49)

Both Day and Palmer are encouraging their readers to make a journey of awareness and choice. When I falter, they encourage me to keep becoming aware, to keep making small, good choices.

“The deeper our faith, the more doubt we must endure; the deeper our hope, the more prone we are to despair; the deeper our love, the more pain its loss will bring: these are a few of the paradoxes we must hold as human beings.” Palmer, 83)

The gift of Coherence, Laura Day explains, is “Right Action.”

What do you need to do? If it’s huge and overwhelming, what one thing do you need to do next?

What needs to be healed, Parker Palmer asks, before you can go forward, before you can go deeper?

Now I become myself. It’s taken
Time, many years and places;
I have been dissolved and shaken,
Worn other people’s faces,
Run madly, as if Time were there,
Terribly old, crying a warning,
“Hurry, you will be dead before — ”
(What? Before you reach the morning?
Or the end of the poem is clear?
Or love safe in the walled city?)

(May Sarton, qtd. in Palmer, 90-91)