The Land of Overwhelm

I talked to my friend Carla this afternoon while I took my second walk of the day. After a sunny morning, the sky was overcast and the air felt close. Before I was finished I swear I felt a drop of rain. Carla said she was struggling a bit: “Maybe it’s the pandemic. But it’s not just that.”  I have been feeling antsy and, frankly, a little crazed, myself. Today I looked at the sky and reminded myself of how much impending weather plays with my moods.

I am finished with my mystery novel and poised to get it out to agents. Poised to begin in earnest with typing the new mystery (so far scribbled into various notebooks). I’m also making a valiant effort to pull together a poetry manuscript. My present writing mood is an anxious grieving coupled with a feeling of being about to burst … maybe into bloom. I’m not sure yet.

My youngest daughter is in California with a friend. “Do you know there’s a pandemic?” I asked her, and she said, “Can we use your car?” Right now she’s staying with an old friend of mine, who–like me–has an empty nest and a great need to mother somebody. She talked the kids into canceling their hotel reservations in San Diego and spending three more days with her and her husband. So that makes me happy. It makes me happy that Emma was in the ocean today and saw five dolphins and a pelican. Despite everything else going on in the world, there are also dolphins.

Who knows why (or check “all of the above”) but this weekend I have spent a bunch of hours reorganizing one of my writing spaces. On Friday afternoon, I decided to move a big file cabinet from a corner of the playroom downstairs to my “zoom room” upstairs. First, I had to empty it. I found records for my 1981 Datsun, a copy of my wedding invitation, and six months of bottle-feeding and diapering records that we kept when our twins were born — from July 12 to mid-December 1993. (Good grief, what were we thinking?)

I also found drafts of novel openings that never went anywhere, short stories I had forgotten I ever wrote, tons of old Creative Writing Program journals, and stacks and stacks (and stacks) of poetry. I had kept every program for the old Castalia reading series, and other people’s poems from four years of Professor Bentley’s workshops–four quarters per year, labeled and dated. 

From all of these, I kept copies of my poems with Nelson’s comments on them. I kept a handful of the Castalia programs and a copy of the news article about his death, at age 72, of cancer. I kept my wedding invitation.

I felt a little like Theodore Roethke in his “Elegy for Jane.” (If you don’t already have it memorized, click on the link to hear Roethke read this 22-line poem for his student.) Or, I don’t mean his experience in the poem, but the story Nelson told us: that when Roethke came across his student Jane’s poems in his office files, he gave the bundle of papers a kiss and threw it into the trash.

I threw most everything into the recycle bin. So many people I will never see again. So many poems that I thought someday I would make the time to reread. Maybe I didn’t feel like Roethke. I felt more like Jane, as though I were a ghost, “waiting like a fern, making a spiney shadow.”

But I also felt lighter. I felt a little more able to move forward. Or to imagine moving forward.

Before I finished for the day, rain began. The dark swooped in a little earlier this evening, along with that smell that is partly rain, partly chill, and partly the scent of woodsmoke. It reminded me that even in the “Time of Corona” (as another friend calls it), one season is ending and another tiptoeing into the room.

Carla’s right. It’s the pandemic, and it’s not the pandemic.

 

Paul Marshall at Chuckanut Sandstone Open Mic

What a thrill to hold this book in my hands!
I first met Paul Marshall at Everett Community College 25 years ago, and we’ve been writing together since we put together a teaching lab around writing in 2009. This past March, he decided to dedicate some time to assembling a book of poems, and he asked me to help. To quote from the back cover:

The poems in Stealing Foundation Stones share the journey of a blue collar, small town, hot-rod loving kid who grew up to go to Vietnam, returned home to the radical turmoil of the 70s, became a psychology professor and an award-winning community college educator, then, after a major loss, rebuilt his life, remarrying and morphing (yet again) into a ukulele-playing grandpa and woodworker and writer. It is a trip you don’t want to miss.

I hardly know what to excerpt here, as I love all these poems. They’re familiar to me as old friends and as welcoming.

Zen Handyman

Cursing saw torn flesh
dripping red blood mars heartwood
my grandfather’s laugh

In these poems, cars rev their engines and bears growl. Blackbirds hoard trinkets the way the poet hoards memories while he lets go of detritus, including old books that (like the bears) growl back: “Their cat haired, dust bunnied pages / fall open as they gasp out their reason to be saved. // I’m a first edition. / I’m an autographed copy.” (“Don’t Leave It for the Children”)

After retiring from the college, Paul and his wife moved to Whidbey Island, and one of his pursuits is to walk the shoreline. This quiet poem makes me feel I’m walking with him:

Post Card Poem to a Friend

Coho and Chinook woke me from a sound sleep last night.
They are returning to the inland sea of our home.
As ever, they sing their spirit songs in time with muscular
undulations in the deep currents of Admiralty Inlet.
Listen. Can you hear them?
Their low murmuring call
imbedded in these post card fibers.

Paul’s book is  available at Amazon. com.  He will be the featured reader this evening, Wednesday, August 12, at Chuckanut Sandstone Open Mic. Here’s the invitation from Carla Shafer, who tells me there is still time for readers to join the open mic. Contact her at chuckanutsandstone@gmail.com . The reading begins at 7 PM (but opens at 6:30-ish) and ends about 8:45-ish. Some hang around and socialize for awhile.
INVITATION & ZOOM LINK:
You are invited to a Zoom meeting. 
When: Aug 12, 2020, 06:30 PM Pacific Time (US and Canada) 
 
Register in advance for this meeting:
 
After registering, you will receive a confirmation email containing information about joining the meeting.
 
It would be lovely to meet you there. Bethany

Poetry Zooming Today: Gary Copeland Lilley and Jourdan Imani Keith

Jourdan Imani Keith

Yesterday’s email brought this announcement from Kate Reavey:

Peninsula College invites you to participate in the next offering of Conversations Toward a Culture of Justice on August 6, from 4:00 – 6:00 pm, via Zoom.

Peninsula College’s summer conversation series was inspired by Nitasha Lewis, Upward Bound Manager and Peninsula College student, who worked with Dr. Helen Lovejoy and Dr. Kate Reavey to create this safe space for dialogue and discussion. The co-facilitators see this as a valuable educational framework we can offer to students and to the larger communities we serve.  

This spring The Peninsula College Board of Trustees adopted a resolution, urging the college community to take “actions that seek to dismantle systemic inequality and bias [and] confront hate and violence.’ These conversations are a step toward this important and necessary work.
We are delighted to welcome poets Gary Copeland Lilley and Jourdan Imani Keith, who will begin with a poetry reading. 
 
The City of Seattle’s 2019 -2021 Civic Poet, Jourdan Imani Keith is a storyteller, essayist, playwright, naturalist and activist. She is the author of the anthem Let Seattle Be and a student of Sonia Sanchez. Her TEDx Talk, “Your Body of Water,” the theme for King County’s 2016-2018 Poetry on Buses program won an Americans for the Arts award. Her poetry is largely anthologized and was long listed by Danez Smith for Cosmonauts Avenue poetry prize. Keith’s Orion Magazine essays, “Desegregating Wilderness” and “At Risk” were selected for the 2015 Best American Science and Nature Writing Anthology (Houghton Mifflin). She has been awarded fellowships from Hedgebrook, Wildbranch, Santa Fe Science Writing workshop, VONA, and Jack Straw. Her memoir in essays, Tugging at the Web is forthcoming from University of Washington Press. She is the founder and director of Urban Wilderness Project.
 
Gary Copeland Lilley is the author of eight books of poetry, the most recent being The Bushman’s Medicine Show, from Lost Horse Press (2017), and a chapbook, The Hog Killing, from Blue Horse Press (2018). He is originally from North Carolina and now lives in the Pacific Northwest. He has received the Washington DC Commission on the Arts Fellowship for Poetry. He is published in numerous anthologies and journals, including Best American Poetry 2014, Willow Springs, The Swamp, Waxwing, the Taos International Journal of Poetry, and the African American Review. He is a Cave Canem fellow. 
 
This series is co-sponsored by Studium Generale, Magic of Cinema, PC Forks, the Peninsula College English Department, PC Library/Media Center, and  ʔaʔk̓ʷustəƞáwt̓xʷ House of Learning, PC Longhouse. We are grateful for generous contributions to the Peninsula College Foundation.
 
For more information, contact Dr. Helen Lovejoy, hlovejoy@pencol.edu
 
Kate wrote: Please invite and encourage anyone who would like to attend the reading to do so. Everyone is invited!
Here is the Zoom link to share:  https://zoom.us/j/99105600039

will offer a poetry reading tomorrow afternoon (8.6.20) followed by a conversation and dialogue with the audience/participants. If you have time, please consider joining us. This is FREE and open to the public, so please feel free to share widely.


I plan to attend; it would great to see you there.

Claudia Castro Luna

Among my busy calendar of Poetry Zoom events this week, I was able to attend Tracing the Maps, a poetry reading hosted by Seattle’s Hugo House, featuring Carolyne Wright, Claudia Castro Luna, Cindy Williams Gutiérrez, and Raúl Sánchez. (It is not available as a recording, but it should be.)

I had heard three of the poets in person, over the years, but I am ashamed to admit that I had never heard our Washington Poet Laureate, Claudia Castro Luna, read her work. And I was, frankly, blown away. The woman has such presence and poise, and remarkable, memorable poems full of striking and eye-opening images.

I recently bought a copy of her 2016 chapbook from Floating Bridge Press: this city, a collection of 19 prose poems and an introduction, “Invitation.” If you aren’t yet familiar with her work, here’s a sample to introduce you:

Aerial Equivalent

Each night evening lights, like birthday cake candles, draw out their
last breath. Curtains close over windows in hill homes and in seedy
motel rooms where families too live week to week. From thousands of
hushed, slumbering bodies the unspoken loosens up, levitates. Wishes,
anxieties, and aversions reach the heavens. They fly over the east, over
the west, by way of the north, circling hills and downtown. A formless
psychic soup occupies the aerial equivalent of the city below. Slowly an
invisible city coalesces, imperfect but peaceful, unlike its terrestrial
twin. By daybreak the buoyant city crumbles. Its detritus unadorned
and lodged in unsuspecting throats.

–Claudia Castro-Luna, from this city (Floating Bridge Press, 2016)

You can read more about Claudia at her website, https://www.castroluna.com/ (see link above) or at poets.org.