Local Poets Read

For me, the fun part is just being at home and writing in my sweatpants. And then being like, “I wrote a poem and I like it.” There’s nothing that compares to that. Nothing. Not The New Yorker, not The New York Times. I feel like that’s something that sometimes gets lost in our culture, where everything’s about building a brand before you even have an established creative process. Please, don’t be a poet unless the number one thing you like to do is write poems. And read poems.

ADA LIMÓN

If you’re a poet looking for more poets to read (or listen to) — here are three offerings by local poets today.  All events are free, or for a token donation.


John L. Wright, Thursday, April 29th, 2021    6:30 – 7:30PM EST / 3:30 – 4:30 PST

The Walt Whitman Birthplace Association is delighted to present a live poetry reading with Physician and Poet John L. Wright. His poetry explores humanity’s relationship and place among the fauna and flora of the natural world. Singer-Songwriter Linda Sussman will perform her original songs live. Join us in celebrating Poetry Month on Zoom! Register for this event here.


Kim Stafford, Sy Hoahwah, and Kathleen Flenniken, April 29, 2021 6:30 – 7:45 pm.

Books in Common NW Series–a reading and conversation with Kim Stafford (Singer Come from Afar, Red Hen Press), Sy Hoahwah (Ancestral Demon,University of New Mexico Press) and Kathleen Flenniken, jointly sponsored by three great Northwest book sellers — Paulina Springs Books (Oregon) , Madison Books (Washington) and Country Bookshelf (Montana). 6:30 – 7:45 pm PDT.  Free. Follow the link to find the registration. And notice that this is a series, airing every Thursday.

And finally, this from Tacoma Public Library:

Thursday, April 29, 2021
6:30 pm – 7:30 pm PDT
Online event

Join local poet Kevin Miller as he reads from his new book, Vanish, the winner of the Wandering Aengus Book Award and Kevin Miller’s fourth book of poetry. WAP Poetry Editor Tina Schumann says of the poems,

“Kevin Miller’s collection Vanish exists in the quiet certitude of lives lived moment to moment, hour by hour and generation to generation. These poems illustrate that it is the varied stuff of this life that makes us whole—farmhouses, sparrows and mackerel, smoke from a cigarette, candles in a window, a question asked over dinner—illuminating each small gesture and ache as they vanish into time, but permeate the living and the land they occupy.”

Kevin has received grants from Artist Trust, Tacoma Arts Commission, and was a member of the Jack Straw Writers Program. He was a Fulbright Teacher in Denmark and taught in the public schools of Washington State for thirty-nine years. He lives in Tacoma.

Ellen Bass: INDIGO

Oh, my. I have been a fan of Ellen Bass for decades. And now this gorgeous, gob-smacking book. Ellen Bass’s Indigo (Copper Canyon, 2020), makes me want to take the mewling newborn sheaf of poems I’m calling a manuscript and dump them in the shredder. I’ll just start over.

She has a poem for that feeling—in the title poem, “Indigo”: “I can’t stop wishing” she writes, “I want,” “I want”:

I want to have married a man who wanted
to be in a body, who wanted to live in it so much
that he marked it up like a book, underlining,
highlighting, writing in the margins, I was here. 

In this book, there’s a poem for every feeling you can imagine: despair, lust, fear, envy, love. Maybe it’s that Indigo offers a bouquet of the seven deadly sins, starting with gluttony (I’m thinking of “Sous-Chef,” the first poem, but a few pages later we get “Ode to the Pork Chop”: “the hiss and spit is / a lullaby that’s soothed Homo sapiens / since the discovery of fire”). It’s a cornucopia of delights, one of which is sex.

Except when she dishes up sheer terror: the illness of a spouse, the deaths of parents, the Holocaust.

So I don’t know what else I can do but share a poem. Having spent an inordinate amount of time these past several years writing about my mother, I’m choosing this one. My mom never worked in a liquor store, didn’t have a chronically ill husband, didn’t drink alcohol. But she did have me, memorizing her every move (taking sips of her coffee), taking notes as though I’d need them to become a woman.

Black Coffee

I didn’t know that when my mother died, her grave
would be dug in my body. And when I weaken,
she is here, dressing behind the closet door,
hooking up her long-line cotton bra,
then sliding the cups around to the front,
leaning over and harnessing each heavy breast,
setting the straps in the grooves on her shoulders,
reins for the journey. She’s slicking her lips with
Fire & Ice. She’s shoveling the car out of the snow.
How many pints of Four Roses did she slide
into exactly sized brown bags? How many cases
of Pabst Blue Ribbon did she sling onto the counter?
All the crumpled bills, steeped in the smells
of the lives who’d handled them—their sweat,
onions and grease, lumber and bleach—she opened
her palm and smoothed each one. Then
stacked them precisely, restoring order.
And at ten, after the change fund was counted,
the doors locked, she uncinched the girth, unbuckled
the bridle. She cooked Cream of Wheat for my father,
mixed a milkshake with Hershey’s syrup for me,
and poured herself a single highball,
placed on a yellow paper napkin.
Years later, when I needed the nightly
highball too, she gave me this story.
She’d left my father in the hospital—
this time they didn’t know if he’d live,
but she had to get back to the store. Halfway,
she stopped at a diner and ordered coffee.
She sat at the booth with her coat still on,
crying, silently, just the tears rolling down,
and the waitress never said a word,
just kept refilling her cup.

—Ellen Bass

Ellen Bass is a rockstar, “a living legend,” in the words of Jericho Brown. Though I didn’t include her whole lineup of books, if you’re not already tuned in, you can find more about Ellen at her website here, or here.

Raúl Sánchez: ALL OUR BROWN-SKINNED ANGELS

I first met Raúl Sánchez in 2017 at Book Tree in Kirkland, where I heard him read his poems. He is a gracious presence, the sort of person who makes you feel visible, as though he is graced by your presence, rather than the other way around. He is the poet laureate of Redmond, Washington, and his book, All Our Brown-Skinned Angels (MoonPath Press, 2012) was nominated for the 2013 Washington State Book Award in Poetry. To learn more about him, visit his website or go to Pictures of Poets.

This morning, as I reread his poems, I remembered that brief meeting. I tried to put into words, for myself, why he had made such an impression. Maybe it was only his welcoming manner, maybe only that I went away from that reading feeling encouraged about my own work. In this short poem, for instance, he might be speaking to all the brown-skinned angels, but he is also speaking to other poets:

Breath

At day’s end we try to remain bright
speak colorfully, for words
are like the clothes we wear—
we wear them on our tongues

He is a poet of witness and he invites us to see the world through his eyes, and through the eyes of the people he writes about: minimum wage workers, the brown-skinned boy arrested for looking “like the guy they were after,” the Mestizo, the migrant and Milagro – miracle, the free American.

This is the first poem in the book (following this quote from Blaise Pascal: “The last thing one discovers in composing a work is what to put first”):

Gravity

A woman next to me asks
are you writing a poem?
Scribbles I say
from all the places
I left behind:
family mysteries
incidents come to mind
toilet paper ripping beyond the notches
social arts delivered on snack trays
my father’s business
Uncle Parcel’s tips challenged
revenge’s mastery
philosphers’ teachings
unfamiliar sand tricks
seventy-five degrees longitude
being submerged in holy rivers
anointed paramahamsas
above the self, my self
not for herself, itself
half empty whiskey glasses
translated stories five degrees below
the tropic of cancer
scorching sand illuminated
reflecting sunglasses
empty whiskey glasses
no faith in things unknown
findable frequencies of facts
the world a glass full of rain
the world a plane
landing on a tiny runway
the world at my feet
held down by gravity

—Raúl Sánchez

At the beginning of the second section – dos – of the book, Raúl quotes Gabriel García Márquez: “It’s much more important to write than to be written about.” This strikes me as a key not just to his poetics, but to his way of being. It was a privilege to spend time with him again today.

Kim Stafford

Today’s blogpost comes to you courtesy of Bellingham poet, peace worker, and my tireless friend Carla Shafer.

On Tuesday, 27 April 2021—6:00pm to 7:00pm—Village Books hosts Kim Stafford for the Bellingham launch of his latest collection, Singer Come From Afar. (Click on the link to go to Village Books.) This event is part of the Nature of Writing Series run in partnership with the North Cascades Institute.

I love this book. Kim Stafford writes from a deep well of gratitude and human goodness. Some of his poems are furious, some are sly and funny, some are simply beautiful, and all create a space for readers to catch their breath and reflect on the glories of this lovely, reeling planet and the sins against it. What greater gift could a poet give a worried, weary world?

—Kathleen Dean Moore, author of Earth’s Wild Music

Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College, and the author of a dozen books of poetry and prose, including Having Everything Right (a collection of essays); Early Morning (a biography of William Stafford); We Got Here Together (a children’s book), and The Muses Among Us (a book about the practice of writing). In 2018-2020 he served as Oregon’s poet laureate, and he has taught writing in Mexico, Scotland, Italy, and Bhutan.

Here’s a poem from Kim’s website.

Home School Thoughts for All of Us

In the pandemic, what should we all be learning?

Self reliance
How to cook a meal. How to clean a house, a porch, a yard.
How to plant a garden. How to use tools. How to fix
broken things: sew a button, mend a hole, do laundry,
wash dishes like a pro.

Buoyancy
How to be sad and get over it. How to find the music
that restores you. How to walk so your troubles fall from
your shoulders. How to write your troubles to make them
visible, then manageable, then smaller, and finally funny.

Friendship
How to know a true friend. How to let go old friends
who make you feel bad about yourself. How to give
generously to a friend by listening, asking, wondering.
How to feed a friendship so it roots, deepens, grows.

Thought
How to think something through. How to question
your fears, interrogate them, talk back to them. How to remember
something so precious you are less afraid. How to make clear
what most calls to you, what you love, what you will do to sustain it.

Dreams
How to have a dream toward a life worth planning for, saving for,
working for. How to design ways to make steady progress toward
a worthy goal. How to identify a dream that is so important, you will
let go lesser things to achieve it.

Thrift
How to know what you need. How to pare away what you do need—
objects, habits, false wishes, propaganda coming at you that is foreign to
who you are—so you can give your energy to what you really want.

Love
How does it feel in your body when love is real—love for a person,
for a place, for a feeling about who you really are, a longing for
what you most want to do with this life? This is your compass,
your inner landmark, your truth principle. Only you can know.

Maintenance
Health. Rest. Calm. Breath. Patience. Affection. Humor. Active hope.

—Kim Stafford