Kevin Craft, TRAVERSE

TRAVERSE, Kevin Craft. Lynx House Press, Spokane, WA, 2024, 130 pages, $25, lynxhousepress.com.

I’ve known Kevin Craft a long time. We were colleagues at Everett Community College, beginning in 1998, and our bond of poetry drew us into friendship. He was always the star, with awards and grants and travel—including to France each summer to teach. He had a knack for making opportunities for himself that I (frankly) drooled over. But we had other, more home-bound threads connecting us as well, including many of the threads found in these poems: parenting, adoption, navigating the intricacies and interstices of family. Who do we belong to? Who belongs to us? Sometimes this theme plays like a lament, as when he echoes Emily Dickinson with, “My life had stood me up one too many times” (“Only If You’re Feeling Better”). In others, it’s a messy celebration: “Into gravity a history of spontaneous alleles” (“Game Theory: A Primer”).

I love the way the poems in Traverse aren’t linear (not usually), but always complex and witty and woven. The first poem, “In Extremis,” launches with: “One man skis alone across Antarctica. / Another pulls morning glory // off a rotting backyard fence.” One world, multiplied. In another poem, a daughter rescues a ruby-crowned kinglet; in another poem, two daughters rescue a father. (I have to add, birds are woven throughout the book, too—snow geese, an Anna’s hummingbird, red-tail hawks, hermit thrush…). I had a sense, reading this book, of circles within circles where human varieties of existence and all of nature nest together in contiguous if uncomfortable relationship. Like they do. These lines, for instance, opening “A Few Pre-Existing Conditions”:

We drank too much.
Stayed up late watching late night turn to laughter
as the elephants disappeared.

Oh, yes. Or this:

Elevator Pitch

First the doors won’t close, then they won’t pry
open, between them the tall tale self-replacing.
We talk it through—a night train rattling high-rise windows—
beginning of the middle, middle of the end,
though sometimes whole chapters fall from the sky
like pieces of a space station. Once I wanted
to be an astronaut. The sky is a laboratory
into which we pour our excess lives.
Some appear in dreams like the family reunion,
the gull-circled landfill, that day I turned the blue car
into oncoming traffic. Our grandmothers went to town
in a horse-drawn buggy. A single cell becomes a city
is one way to muscle through this backstory
hanging over breakfast like a shroud.

—Kevin Craft

Kevin is the featured reader at Everett Poetry Night on Monday, October 7, 5-8 p.m. As I recall, the reading begins at 6:00, but you want to come early—to grab some dinner and find a seat, and to sign up for the open mike. I plan to attend. Go to https://duanekirbyjensen.wixsite.com/everett-poetry-night/features-poets-2024 to learn more

To learn more about Kevin, visit Lynx House Press, or this page: https://www.poetryfoundation.org/poets/kevin-craft. Or buy the book!

Lisa B (Lisa Bernstein), GOD IN HER RUFFLED DRESS

GOD IN HER RUFFLED DRESS, Lisa B (Lisa Bernstein). What Books Press, 363 South Topanga Canyon Boulevard, Topanga, CA 90290, 2023, 110 pages, $17.00, paper, https://www.whatbookspress.com.

Just a little shout-out this afternoon for singer / poet Lisa B, whose book, God in Her Ruffled Dress, I reviewed for Calyx: A Journal of Art and Literature for Women. (You can find the review on-line, here.)

It’s a romp of a book, much worth reading and recommending. Lisa B, also a singer and songwriter, plays with sound, and weaves together color and image in ways that continually surprise and please me.

Here’s one poem wedding past with future, history with fantasy, Emily both at her writing desk, sewing together the fascicles of her poems, and working as a computer programmer. Surprise, surprise!

EMILY DICKINSON AT WORK

she pulls
the thread
through the linen
on the embroidery frame
and at her writing table
through the white packet
of paper poems
the next morning tapping
the keyboard
piecing together
the html
<br> <br/>
marking and closing
the breaks
a figure in a white dress
silent under
fluorescent lights
at her place at the long table
beside the other programmers
listening to the enclosing
emptiness a white
pillow invisibly
holding the lines of code
on her screen
where she glimpses
her own
reflected smile
“I can make the zigzag stitches
Straight—when I am strong—
Till then—dreaming I am sewing”
the shape of God walking
through it like bird’s feet
tracks in the snow
“I’ll begin to Sew
When the Birds begin to whistle—”
a song hummed
under her breath
a bare small wind
she painstakingly places
the letters and brackets
she for whom
“Success in Circuit lies”
here and now are not
where everything
that ticked has stopped
no part of her shaven
instead tick by tick
her mind the mind
forming the frame

—Lisa B (Lisa Bernstein) 

You can find Lisa B at her website, www.lisabmusic.com.  She is working on a second audio version of the book, in “spoken word” format. Follow this link to find vendor links to both the paperback and the audiobooks:

Michele Bombardier, WHAT WE DO

WHAT WE DO: POEMS, Michele Bombardier. Kelsay Books, Aldrich Press, 2018, 86 pages, $17 paper, www.kelsaybooks.com.

Hospitals on fire, wasps nests, witchhazel scratching at windows, wine that tastes like relief, poems like prayer—it’s hard not to swoon over this book. I agree with Dorianne Laux, who (in her cover blurb) writes: “At its center, What We Do is about survival, how quickly things can fall apart, and what it means to live in the aftermath of loss.”

Plum Jam with Wine

If apples get knowledge, plums get memory,
and our tree, which I plumb forgot about
dropped her scarlet globes
which I gathered, stewed, added sugar and wine
from grapes of forbearance,
juiced to forgiveness,
cooked slow then poured into jars
like the day we got the call
your father died,
and you spent that long night in his jacket,
in the garage, sawing, cutting,
making a frame for the bevel-cut mirror
from the house on South Bell Street
that he built with his own hands,
adding room after room after each child;
the mirror from those years stands
now in our bedroom like the jars
in the pantry holds the seasons,
an offering   distilled down   to only sweetness.

—Michele Bombardier

Bombardier is the poet laureate of Bainbridge Island. Among other accomplishments, she is the founder of Fishplate Poetry, offering workshops, editing and retreats while raising funds for humanitarian relief. She writes poems that may help you survive, too. Learn more about her at her book page at Kelsay or her website, https://www.michelebombardier.com, where you can read several more poems.

Join the Sealey Challenge

All morning I thought it was August 1st. Nope, only July 31st, and PLENTY of time remaining for you to line up 31 poetry books to read in August.

Yes, check the library! (Or use the challenge as an excuse to visit your favorite independent bookstore.)

Yes, this is your chance to burn (delightedly) through all those poetry books you’ve picked up on impulse over the months or years and not yet read in entirety.

Yes, chapbooks and audio books count. Yes, too, to downloading books from the library to your phone.

Yes, rereading old favorites counts.

Yes, reading a poetry book all in one go IS a different experience, opposed to reading a poem here and a poem there, or even reading a book straight through but only a few poems at a time. I promise you, the difference is interesting, and will teach you different lessons.

Most years, as I read a poetry book (and review it) each day during April, National Poetry Month, I don’t do the August marathon. This year, I’m tackling it, and I invite you to read along with me.

For more details, check out the challenge at this site: https://www.thesealeychallenge.com/.

You can post your results on social media (a picture, a title, a line), or you can keep track all on your own.