Lorna Goodison (b. 1947)

Very likely it’s because I have a bad case of “want-to-escape-this-life-itis” (or maybe it’s just this news cycle), but lately, everywhere I look, I see poems about alternate lives.

One that keeps surfacing is a poem from Hold Fast, “Approaching 52,” in which Holly J. Hughes imagines a self realizing “she’ll never be a lion-tamer, tall hat and curling whip,” and it’s “too late for Jacques Cousteau,” or “a wildlife photographer….” Except in dreams — and in the poem.

Along this line of thought, I recently ordered a couple of books by the Jamaican poet Lorna Goodison, purely based on an On Being broadcast that put me entirely under her spell. Here is a somewhat unassuming poem from her book, Turn Thanks:

Domestic Incense

Just then, in that early afternoon,
I wanted to be that simple woman
who had cooked you Saturday soup

using all golden foods. Bellywoman
pumpkin, yellow yams, sweet potato,
carrots and deep ivory bones of beef.

I would bear it to you in an enamel bowl,
the smell of fragrant thyme and pimento
would waft, domestic incense, as I go.

How the hot Scotch Bonnet pepper
would issue its flavor through
the ripened walls of its own skin

but because like our love its seeds
can scorch, I’d be careful to remove it
before it cooked itself into breaking.

—Lorna Goodison, from Turn Thanks (University of Illinois Press, 1999)

And, really, how lovely in a world of war and contagion, that there is still soup — and poets to recall us, if not to our ideal selves, then somewhere else.

So, if I have an assignment for you this week, it’s just this. Maybe you’re entirely satisfied with your life, but if you — for a few hours — could be someone else (Lion Tamer or Soup Maker), what would that someone be?

Lorna Goodison

The Poem Itself: A Conversation

It’s been two weeks of dodging my work and trying to walk away from images in the news. But I’m pleased to recommend poet Sharon Bryan’s poetry blog and its new series of conversations, often on the very topics I’d most like to  avoid.

In this week’s post, Sharon writes, “Not surprisingly, the terrible destruction in Ukraine is on my mind right now, a bloody livestream in my head and heart as I go about my safe, ordinary life here – feeding my cats, doing the laundry, shopping for groceries, going for a walk. I was at one extraordinary event, a reading via zoom earlier in the week, with Ukrainian poets and their English translators – and 850 people there to watch and listen.” She adds, a little later in the post, that war touches us all, and: “Those of us who write poems have to find our own vantage points, what only we can say about the unfolding events.”

Sharon also shares three poems by Syrian-American poet Seif-Eldeine. Well worth our attention.

Poems, poems, poems

Just a quick note to let you know that the new issue of Constellations: A Journal of Poetry and Fiction arrived in

taken with my camera — I couldn’t get an angle without any glare

my mail today. A loooonnng time ago — in my writing group — I shared a poem called “The Rule of Three” about an encounter I had with a student/veteran (some of you may remember). It’s one example of how I always learned as much or more from my students than they ever did from me.

No, it’s not on-line, but I may be persuaded to share it with you. Constellations is now open for submissions.

Also — drum roll, please — my poem “Even in Winter, You Must Marry It,” will go live January 19 at Cordella.org. Look for it under “Field Notes,” or click on the poem’s title (above).

I first learned about Cordella when I was searching on-line for poems by the late Jeanne Lohmann. If you’re unfamiliar with her work, follow this link to read a sampling. It’s an honor to have my poem published at the same site.

At this rich on-line venue, you’ll also find Cordella’s newest issue: Kith & Kin.

Upcoming Boynton Workshops

A 3-part series of poetry workshops — on Zoom — begins on January 29, with Washington State Poet Laureate Rena Priest. The second and third workshops will be taught by two poets familiar to anyone attending Chuckanut Sandstone Readers’ Theatre: Tere Harrison and Seth Harris.

Registration
is required and all fees benefit the Sue C. Boynton Poetry Contest: $30 per workshop. Zoom links will be provided after registration.

TO REGISTER, please submit your payment of $30 via Venmo (www.venmo.com/SueC-BoyntonContest ) OR by check (made out to Sue C. Boynton Contest) mailed to PO Box 5442, Bellingham, WA 98227-5442. Please be sure to include your name, email, phone, and the title/date of the workshop(s) you wish to attend. If you have questions, please contact Jay, the workshop coordinator by email: jsnahani AT gmail.com.

Visit The Poetry Department to learn more: