As Music Isn’t Just Notes on a Page

I love this quote, which I found over at The Poetry Department, so I’m sharing it with you. I’ve been working on a new book of poems, many of which touch on music in some way — a result, I’m certain, of taking piano lessons for the last several years and practicing daily. (No, I will not play for you.) I would love to write a blog post comparing playing music to writing poems, but I’ve never been able to hang onto the fleeting insights that sometimes come to me. Something about notes and rests and counting (also repetition!).

I know that being a complete newbie learner at something is very useful in understanding people’s process in learning anything. But, as I said, it’s a bit elusive; maybe that’s because I’m not trying to write music, only to play it. Garret Hongo says it better:

“As music isn’t just notes on a page or within an improvisatory passage, poems are not simply individual words on a page. They are collections and sequences of language that strike both familiarity — whether that be in meaning or a recognition of its form, its rhetorical scheme — and work a notable change or transformation of meaning and its scheme that defamiliarizes that which had been previously known, that makes it new, as Ezra Pound said poetry had to.”

Garrett Hongo
(b. May 30, 1951)

Meanwhile, I have two fresh publications to share with you, and both are available on the Web. I have a poem, “Pear,” that just posted today at Rust and Moth, and I have an essay, “My Mother’s Birthday in Ireland,” at Chautauqua Journal.

New Issue of Calyx Journal

CALYX Journal, Vol. 33:1

Cover art “Flamingo” by Leah Kosh
Featuring new work by thandiwe D. Watts-Jones, Kamal E. Kimball, Bethany Reid, Meredith Starr, and more

Order your copy or subscribe and save!

CALYX Journal Vol. 33:1 has arrived and is overflowing with beautiful and empowering new poetry, prose, reviews, and full-color art from a wide range of women and non-binary artists and writers. From Sophia Stid’s award-winning poem “Prayer II” to Meredith Starr’s funny and poignant take on quarantine with her series of art pieces including “In 2020 We Throw Things,” this issue is challenging, relatable, reflective, and courageous.

Visit the CALYX website to order your copy and to read excerpts from the new issue, including a full short story, poem, and review. This issue, the sample short story is Anna Stacy’s “Mending,” a modern fantasy that weaves a spell of wit, camaraderie, acceptance, and self-love (and also actual spells!). The sample poem is Abigail Goodhart’s “Barber Shop,” full of such humor and braggadocio that it demands to be read by one and all. The sample review is Lois Rosen’s take on Stealing Flowers from the Neighbors, a book of heartfelt poetry by Sherri Levine.

2022 is our forty-sixth year of providing a platform for new, emerging, and underrepresented voices. Thank you for your support of CALYX.

Pre-order your copy of Vol. 32:3 at calyxpress.org. You can also subscribe to receive a full volume (three issues) for only $23 USD.

Tracy K. Smith, Wade in the Water

WADE IN THE WATER, Tracy K. Smith. Graywolf Press, 250 Third Avenue North, Suite 600, Minneapolis, MN 55401, 2019, 96 pages, $16 paper, www.graywolfpress.org.

For my last poet in #nationalpoetrymonth, this book is too perfect. Here’s Graywolf Press’s description:

In Wade in the Water, Pulitzer Prize winner Tracy K. Smith boldly ties America’s contemporary moment both to our nation’s fraught founding history and to a sense of the spirit, the everlasting. Here, private utterance becomes part of a larger choral arrangement as the collection includes erasures of the Declaration of Independence and correspondence between slave owners, a found poem composed of evidence of corporate pollution and accounts of near-death experiences, a sequence of letters written by African Americans enlisted in the Civil War, and the survivors’ reports of recent immigrants and refugees. Wade in the Water is a potent and luminous book by one of America’s essential poets.
https://www.graywolfpress.org/books/wade-water

I lack words enough to describe this book. “Choral arrangement” helps (beginning with the gospel title). “Luminous” seems overused, but I knew when I found the audio version of Wade in the Water, that I would have to try to write about it. It captures both transcendence and terror, life itself. “I Will Tell You the Truth About This, I will Tell You All About It,” one title promises us, and Smith delivers. I would love to know more about the process of writing these poems, or “creating” them, as some are erasures and others, collages of voices of slaves, and of Black Civil War soldiers and veterans. Smith brings it all to the page, and hearing her read this book aloud made my day.

Smith’s first book Life on Mars won the Pulitzer Prize; she served as U. S. Poet Laureate from 2017-2019. She is a must-read.

This is the first poem in the book, far more conventional than poems later in the collection, but easier for me to reproduce for you. (Find more poems at https://www.poetryfoundation.org/poets/tracy-k-smith#tab-poems.)

Garden of Eden

What a profound longing

I feel, just this very instant,

For the Garden of Eden

On Montague Street

Where I seldom shopped,

Usually only after therapy

Elbow sore at the crook

From a handbasket filled

To capacity. The glossy pastries!

Pomegranate, persimmon, quince!

Once, a bag of black beluga

Lentils spilt a trail behind me

While I labored to find

A tea they refused to carry.

It was Brooklyn. My thirties.

Everyone I knew was living

The same desolate luxury,

Each ashamed of the same things:

Innocence and privacy. I’d lug

Home the paper bags, doing

Bank-balance math and counting days.

I’d squint into it, or close my eyes

And let it slam me in the face—

The known sun setting

On the dawning century.

—Tracy K. Smith

I found numerous recordings on the web, and felt this one–her thoughts on the history and witness of Black poetry, and a tribute to Amanda Gorman–was the perfect one to share.

Brenda Miller, The Daughters of Elderly Women

THE DAUGHTERS OF ELDERLY WOMEN, Brenda Miller. Floating Bridge Press, 909 NE 43rd St, $205, Seattle WA 98105, 2020, 41 pages, $10, paper, www.floatingbridgepress.org.

Not only are these poems I wish I had written, but they are poems I should have written. It’s a meditative, almost spiritual collection, but busy, too—like a care-taking daughter—with minutiae. Doctor appointments, dust, hospital rooms, post-it notes nudging a failing memory, loss.

I knew of Brenda Miller because of her brilliant essays, and her book on writing, co-written with Holly J. Hughes, The Pen and the Bell: Mindful Writing in a Busy World (Skinner House Press, 2012). She teaches at Western Washington University and is the author of several books of essays. An Earlier Life won the 2017 Washington State Book Award.

The Daughters of Elderly Women won the 2020 Floating Bridge Press Chapbook Award. And even though it took me on a trip down the rabbit-hole of memory, I read it hungrily. I lapped it up. These poems (several of them titled “The Daughters of Elderly Women”) made me remember that I, too, was a member of this strange tribe. I am happy to recommend it to you.

The Daughters of Elderly Women

are planning ahead.

They print it all out:
Advanced Directive, Power
of Attorney, Last Will and Testament.

In hospital rooms,
at the edges of beds,
they hold a neon form

in their palms
as if it were an oracle—
Physician’s Orders for Life-Sustaining Treatment,

beneficent and dangerous
all at once. POLST—almost
pulse, what we look for—

faint throb, Morse code of the heart.

If the body
wants to go, watch it go.

They use the simplest words
possible. They say
it’s up to you

knowing nothing is up to us,
that the body does what it does,

fierce flesh that keeps living

no matter the circumstance.
They explain how CPR damages:
crushed ribs, deprived brain.

The daughters remind
their mothers about the fathers,

the ones who had heart attacks, ended
up in nursing homes, so frail
they couldn’t turn over in bed.

The daughters try not to speak
so fast, words a scatter
of birdshot that dissipates

before reaching the target.

That’s not what you’d want, right?
the daughters say, looking their mothers
in the eye, voices soft
as they’ll ever be.

—Brenda Miller

To learn more about Brenda Miller, visit her website. I found several essays on-line, including this one, “The Blessing of the Animals” (a favorite of mine) at The SunIf you want to purchase the book, you can find it (perhaps on sale) at Floating Bridge Press.