SoulFood CoffeeHouse Reading — August 17, 7 p.m.

I’m reading Thursday evening at SoulFood CoffeeHouse in Redmond, Washington (click on the link to find directions). The other poets are Sandra Noel, Margaret Roncone, and Koon Woon.

7 p.m. Come early. Buy coffee!

Coffee cup top view on wooden table background

August in Emily’s House

“I dwell in Possibility– / A fairer House than Prose–” (F.466)

It’s August, which for me means writing a poem a day and putting it in the mail to a fellow-poet, who may be waiting in Seattle, or Bellingham, or Australia to hear from me.

Every year I begin by reading a lot of short poems. Haiku are good. And I recently picked up a book by Kay Ryan, which does an excellent job making short = depth. But depth is something that my old friend Emily Dickinson does so well, and this year I found myself sticking close to her.

Inspired by the month-long postcard meditation on peace that I did back in February, I had already decided to choose a single topic to explore. Then it occurred to me that I could choose Dickinson as my “single” (and so not singular) topic. This choice opened up all sorts of inspirations. After the first postcard, I decided that I needed some guidelines, so here are a few I cooked up:

  1. Every poem has to start with reading Dickinson. I recently purchased the big book The Gorgeous Nothings from New Directions, and it has proved a fine place to launch from.
  2. Every postcard begins with a scrap from Emily Dickinson’s work, either an epigraph or a quotation in the first line.
  3. The postcard itself — whatever it is — has to suggest the direction I go in my explorations. I have a set of literary postcards that I impulse-bought last year, and I’ve been using a key word from the quotation to generate a search through Dickinson for what she has to say on the same theme.
  4. I borrow freely from Dickinson’s lexicon (“resonance,” “balm,” “chanticleer”), putting anything borrowed in quotation marks, just to be clear.
  5. Color words are a bonus, and needn’t be quoted unless they’re really stunning (“emerald,” “cochineal”).
  6. Dashes are mandatory — of course.
  7. In that light, I decided to find poet Heather McHugh‘s essay, which I think is called, “What Dickinson Makes a Dash For,” and reread it.
  8. I’ve also been browsing some other poets’ work influenced by Dickinson (Visiting Emily, from University of Iowa Press, and Kelli Russell Agodon‘s Letters from the Emily Dickinson Room are two books in my possession).
  9. I was recently so disappointed by the new Dickinson movie, that I decided to begin rereading Richard Sewell’s amazing biography of the poet. Maybe I’ll watch (again) the Voices and Visions documentary, too.
  10. If you’re on my address list, remember that these are drafts — the goal is write ’em and mail ’em. Later I’ll see what they add up to.

I’m looking forward to reading the 31 postcards that wing their way to my mailbox!

 

The Writer with Children

Daughter #3 turns 18 today — my elf-child, the little curly-haired blondish creature who at age 4 wanted to marry her father and have me be their “little kid” — the 10-year-old who had a summer goal to swim every day until school began in September — the irrepressible 14-year-old who turned our lives upside down with her right-on-schedule adolescent antics. Eighteen!

Before I had children: 1) I had a much better memory for faces and names, and I prided myself on always knowing all of my students from the first day of class onward; and 2) I thought I had all the time in the world.

I was going to write, sure (I was born to write!). But I could do it this afternoon, or tomorrow, or sometime next week, or when this quarter was over, or when the summer or holiday break finally came. No hurry.

After my husband and I adopted twin daughters when I was 37 years old, I found myself standing in a classroom at the University of Washington campus, and declaring to my students in a slightly huffy, slightly hysterical voice:

“My children are not going to be my newest excuse to avoid writing!”

If I’m remembering it correctly, I had been attempting to explain the importance of making time for writing — something I had not been doing — and an older student, in a knowing and reassuring tone, said, “You’ll write when your kids are older.”

You don’t write because you have scads of time. You don’t write because you have a great idea to write about (of course you do!). You write because you have a habit of writing. You develop a habit of writing, by writing. And this is true for all of us, children or no.

I’ve also heard so-called experts say that if you’re a writer, then you don’t have to be encouraged to write. But I think encouragement is a fine thing, especially if your days are getting eaten up by birthday parties for ankle-biters. (I mean, cherubic darlings.)

First forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice. You don’t start out writing good stuff. You start out writing crap and thinking it’s good stuff, and then gradually you get better at it. That’s why I say one of the most valuable traits is persistence”. ― Octavia E. Butler

So while you’re waiting for your big idea, for the room of your own that you think you need to write about your big idea, work right now on your habits.

Here’s how you do that:

  • Always, always carry a notebook and many, many pens (the kids will carry them off or lose the caps and the ink will dry up, so you have to have spares)
  • Date your work — I write the full date — Thursday, 20 July 2017 — at the top of the page and if I’m not at home I also write where I am writing (believe me, you will NOT remember any of this later) — dates will help you assemble things when you can sit down in front of a screen
  • Believe that you can write with a child in your lap, at the pool during their swim lessons, during soccer practices, while they wait in line at the DMV to take their driving test
  • Keep a notebook in the laundry room
  • If your child or children fall asleep when you are driving, park the car and scribble at the side of the road (and, yes, if you don’t find a safe and somewhat private place to do so, eventually you can expect a State Patrol officer to knock at your window to see if you’re okay)
  • If these writing breaks don’t work great at first, by the way, just keep at it and trust the force — practice will turn them into your superpower
  • I learned this from a Positive Parenting book — if your children are fighting in the car and distracting you, pull over and write (the actual advice was to whip out a novel, but why shouldn’t it be your own novel?) — you’ll be surprised at how effective this is as a parenting strategy, and when it’s not, you’ll probably surprise yourself with how deeply and quickly you can sink into a snippet of work
  • Write snippets in your head and memorize them — lovely little images that come to you, voices of weird and wacky characters, little kid things that you wouldn’t believe could happen if you weren’t witnessing it firsthand

Give up forever your dream of getting blocks of time. You do not need blocks of time, you need a few minutes there and fifteen minutes here and the occasional uninterrupted hour. On the other hand, if someone invites you to a weekend writing retreat and your spouse or some other suitable caregiver agrees, jump at the chance.

And please, please take note of this — your children will get older, but being their mom is probably not going to get easier. If you have a habit of using them as an excuse then it will soon enough be your grandchildren’s chance to take over that role.

You can download the PDF of my very short book, A Writer’s Alchemy, for more pointers about writing every day.

Most of all, write now.

 

Too Busy to Write?

Life has had me caught up in it of late, a whirlwind of activity — you know about the graduations, the party — and this week, worries about my mom and visits with my wonderful sisters and their families. More is on the way, as it’s birthday month at our house. “I haven’t written in a month,” a friend said at Writing Lab last Wednesday. Another: “I’ve got that beat — I haven’t written in years!” I suspect this is an exaggeration, but I get it: too busy to write; too many other things to do.

No matter how busy I am, I write every day. Even back in the day — when on top of everything I deal with now I was teaching full-time — writing every day kept me grounded. I did not always write anything of substance, but every day I opened my notebook and I wrote. I wrote letters to God. I wrote about my headache or my heartache. I wrote down a tantrum some charming little person had whipped up, or the adorable thing some other little person had said. I wrote about what a terrible mother I was. I wrote teen-tiny encouragements to myself. (You are not a terrible mother; wanting to be a better mother is a great goal; look at you, despite everything, writing!) 

Writing every day is what brought me out of that wilderness, and, as I know from long experience, it will lead me through this wilderness, too.

I am a great re-reader of books, and one book that I reread almost every year is Louise DeSalvo‘s Writing as a Way of Healing. 

Recently I misplaced this book. I saw it in a used bookstore, didn’t buy it (I was sure I’d find my copy soon), had to go back (to two different bookstores) and search for it. Found it, bought it. Later that day my old copy turned up. Interesting, how that works.

I suspect that it’s time to revisit the book. I open it and I find these questions, which lead me…back to my journal.

  • What else can I say?
  • What else am I feeling?
  • What else might have been happening?
  • Why did this happen?
  • Why else did this happen?
  • Is this really how it happened?
  • Is this really what I was feeling?
  • Is this really how they were?
  • Can I say even more here?
  • Would someone who didn’t know me or what I experienced understand this?
  • Is this as clear as I can make it?
  • What [other] connections can I make here?

In my journal from last year — which I’ve been thumbing through because I just know I wrote down a story there — I found this scrap of poetry. Something else that shouted out loud to me.

I had the idea that the world’s so full of pain
it must sometimes make a kind of singing.

Robert Hass, “Faint Music”