Parker Palmer’s A HIDDEN WHOLENESS

I have been walking through my Writing The Circle series with a small group of followers, and sharing a bit about a personal crisis that I’m dealing with at present–my husband is ill, diagnosed thus far with depression and anxiety–which has taken me and my family completely by surprise. It’s taken over a lot of the space I thought was going to be devoted in 2019 to my writing, and I have my moments of bitter resentment. I also have moments of great patience, kindness, and fortitude–and I hope that it is these moments that will prevail.

One of my readers from the small group challenged me to share on the blog at least some of what I’ve been dealing with. Her thinking (I think) was that the newsletters get lost in email-land pretty quickly, but the blogposts create a more permanent and retrievable record.

And…I sit with my fingers on the keyboard for a long while, considering whether or not I should…

Somehow–I’m just not ready. Not today.

I imagine the health crisis at my house has affected me at least a little like the great snowstorm of 2019 has affected all of us–this snowstorm that Cliff Mass says we’ll be telling our grandchildren about. We believe that we have control of our lives, and then life itself catches us by surprise, knocks us down, and dares us to get up again.

But I remember how I began this series, in Prompt #1–life does happen, terrible things happen. The only actual control we ever have is of our own response.

One response I’ve made, thus far, is to dig out my copy of Parker Palmer’s A Hidden Wholeness: The Journey Toward an Undivided Life. As much as anything else, this is a book about Palmer’s debilitating depression and how he came back from it. I found it on a shelf with books about teaching; I had forgotten it was about depression–well, entirely apt!

Here’s just one of the passages that, in previous readings, I’ve underlined and highlighted and annotated:

I pay a steep price when I live a divided life–feeling fraudulent, anxious about being found out, and depressed by the fact that I am denying my own selfhood. The people around me pay a price as well, for now they walk on ground made unstable by my dividedness. How can I affirm another’s identity when I deny my own? How can I trust another’s integrity when I defy my own? A fault line runs down the middle of my life, and whenever it cracks open–divorcing my words and actions from the truth I hold within–things around me get shaky and start to fall apart. (5)

And here’s a passage I copied into my journal this morning:

“This is the first, wildest, and wisest thing I know,” says Mary Oliver, “that the soul exists, and that it is built entirely out of attentiveness.” But we live in a culture that discourages us from paying attention to the soul or the true self–and when we fail to pay attention, we end up living soulless lives.” (34-35)

I once heard the poet Chana Bloch say, in regards to her brush with cancer, “I am going to survive this, and I am going to write about it.”

That’s what I’m going to do, too.

Begin at the Beginning

“Beginnings are times of grandiose dreams of escape, success, change, and possibilities. This is true not only for the protagonist of your story, but also for you.” –Martha Alderson, The Plot Whisperer (25)

Maybe you’ve heard this before, as I seem to see it everywhere lately:

The first step to getting out of prison is to know that you are in prison.

Substitute any situation you feel trapped in–your extra 30 pounds, your stack of unfilled blank notebooks that you thought would inspire you to write, the relationship that hurts more than it helps, your extremely unhelpful attitude about ______. Whatever your prison is, no amount of shovels or ladders or files-baked-into-cakes will get you out if you haven’t looked around and become 100% conscious of where you are and how you got there.

In a novel, the beginning is sometimes called “the ordinary world” (See Joseph Campbell’s hero’s journey.) It might take up as much as the first quarter of a novel, which is utterly necessary if readers are to understand the main character’s subsequent transformation.

But if there is to be a book, a story with not only a beginning but a middle and an end, the characters can’t stay where they are.

In your own life, too, the next step to beginning is re-imagine your present circumstances as the place you set out from, your launching pad, your sturdy ground on which to set your ladder, the dock where you untie your boat and push away.

That’s what I’m thinking about today. Where am I now? Where do I go next?

 

 

 

 

Why Do We Write?

Because the other half of my very small novel-writing group has The Plot Whisperer by Martha Alderson on her desk, I decided to dig out my copy.

Years ago when I was at sea on my draft of my novel about the further adventures of Nathaniel Hawthorne’s Pearl Prynne, I read and reread The Plot Whisperer–it’s highlighted in several colors and some passages are underlined, too. Marginal notes abound. This passage from the Introduction is heavily annotated:

“My most important insight is this: All of us face antagonists and hurdles, hopes and joys, and by meeting these challenges we can transform our own lives.” (ix)

I often reflect on the question of why we write–and I think the answer is the same for why we do anything. Whether you want to apply this equation to caring for aging parents or partners, or children, or difficult friends…or a horse you can no longer ride…

Maybe it has to do simply with commitment, or maybe we suspect that there is something on the other side that we can gain only by going through it, or we know with absolute faith that where the dragons are, there also is the treasure.

“In real life, many of us shy away from disaster and drastic upheaval in order to protect ourselves from deep loss in our own lives.” (Alderson, 8)

But the truth is, there is no way to protect ourselves. I think we will, ultimately, be happier if we go out there anyway, with our hands ready and our hearts open.

Beannacht — John O’Donohue

My good friend Francine sent me this blessing. May it bless you, too.

Beannacht / Blessing

John O’Donohue

For Josie, my mother

On the day when
the weight deadens
on your shoulders
and you stumble,
may the clay dance
to balance you.

And when your eyes
freeze behind
the grey window
and the ghost of loss
gets into you,
may a flock of colours,
indigo, red, green
and azure blue,
come to awaken in you
a meadow of delight.

When the canvas frays
in the currach of thought
and a stain of ocean
blackens beneath you,
may there come across the waters
a path of yellow moonlight
to bring you safely home.

May the nourishment of the earth be yours,
may the clarity of light be yours,
may the fluency of the ocean be yours,
may the protection of the ancestors be yours.

And so may a slow
wind work these words
of love around you,
an invisible cloak
to mind your life.

John O’Donohue

from Echoes of Memory (Transworld Publishing, 2010) reproduced by permission of the author’s Estate