John Haines

AT THE END OF THIS SUMMER, POEMS 1948-1954, John Haines. Copper Canyon Press, PO Box 271, Port Townsend, WA 98368, 1997, 80 pages, $14 paper, https://www.coppercanyonpress.org/.

A friend gave me this book a number of years ago, and though I have occasionally read around in it, I had never read it straight through, as a book, until today.

I know John Haines better by his late poems, set in Alaska where he lived for many years. The poems in At the End of This Summer are from early in his career, what he describes in the preface as an “apprenticeship” (ix). In the preface, he also explains why he chose to share them here: “It would not be too much to say that at some point in that early period I had simply caught fire with the written word, a passion that held me in spite of every obstacle and momentary distraction.” A worthy goal for any beginning poet, to catch fire with the written word. 

Song

As if my love were like the bending year:
Bleak marvel I look upon with tenderness,
There is no outcast singing, she rides high
In a maze of cloudy passion, a tower of seeming,
Drunk with the snowless winds
That cry for that white veiling. Oh, more than present,
Long ago we felt the parched leaves fall —
Be gathered with them, you mindless snore of death.
Desire is mine; it is like that hopeful turning
When the earth sleeps beneath a blanket of sorry
Dead and does not move, appears unwatchful,
And yet, fair girl, she dreams.

Sandra Noel

 

THE GYPSY IN MY KITCHEN, Sandra Noel. Finishing Line Press, PO Box 1626, Georgetown, KY 40324, 2015, 29 pages, $12.95 paper, www.finishinglinepress.com.

I met Sandra Noel in 2017 at SoulFood Coffeehouse when we read our poems  together. Noel writes about Indonesia, where she  has worked with the Alliance for Tompotika (ALTO), a non-profit conservation organization, and she writes about walking and running in the woods. This poem especially inspired me and seemed to have been written especially for me to read today. (I looked up Horus, who is, appropriately–given the red-tailed hawks circling above the poem–a god in the form of a falcon.

Sacrifice

The day after…
stillness comes
it’s the same trail
I ran yesterday
the same moss covers
the dead tree branches.
Today a small rain creates concentric magic.
A pair of red tails circle overhead
patrolling the parameter
with serial grace.
I offer up my heart to them
broken as it is
a sacrifice to Horus.
I will go forth singing
in the ancient way
with the old joy
and sweet grace
of the body.
This is what I trust
This is all I know
about anything.
I came here closed
and broken.
I leave filled with light.

James Bertolino

RAVENOUS BLISS: NEW & SELECTED LOVE POEMS, James Bertolino. MoonPath Press, PO Box 1808, Kingston, WA 98346, 2014, 140 pages, $18 paper, http://moonpathpress.com/.

What a lovely way to spend my afternoon! In this new & selected potpourri of love poems from the inestimable northwest treasure, James Bertolino, you encounter images that make you want to pour a glass of red and call your beloved inside. In “Origami Prayer,” for instance: “The whisper / of the delicate paper / folds her fingers // springs her East / to a bird // the wings of which / trip bright / gardens / in my heart.” In these poems, limbs become bowls of fruit and relationships move forward “over the frets / of a guitar.” You never know what’s going to happen, and then it does.

With cover art by Bertolino’s wife, Anita K. Boyle (also a fine poet), Ravenous Bliss is a book to own, and makes a swell Valentine’s Day gift.

Like Quartz

If I said I love her the way
I love rutilated quartz,
would she understand?

My love for lizards
and my love for her are not
the same, but what I feel

for nested fledglings, and
the brown and yellow salamander
with its wide grin, is mixed

with my love. The blue
wildflowers high in the dry
California hills remind me

that she is gentle, yet hardy.
Could she believe me if I claimed
my love is the lightning of

the aquatic garter snake
when it moves its single dorsal stripe
across a pond? I think of power

rising through her
from the earth to touch me,
and shriek with joy

like the Steller’s Jay.

Carla Shafer

AUGUST POETRY POSTCARD FESTIVAL 2011, Carla Shafer. 2011. self-published, 32 pages,  https://chuckanutsandstone.blogspot.com/.

My dear friend Carla Shafer is a force to be reckoned with. In addition to being a fine poet (and coordinating multiple poetry events in her hometown of Bellingham, Washington),  she’s a political activist for peace and justice, and a fierce advocate for indigenous peoples, as well as our beleaguered planet.  No matter how bleak the headlines, she never despairs, but always sees a way through. She inspires me every day.

I have several of Carla’s self-published chapbooks of poems and I’ve been after her to pull together a collection to submit to presses. Here is one poem, written nine summers ago. (To learn more about the August Poetry Postcard Festival, visit Paul Nelson’s https://popo.cards/.)

Beauty and My Story Return

To see for the first time (with your own eyes),
the steady up and down flux of wings
by a stilled butterfly and realize what it means–
that it is sucking nectar through its proboscis
in rhythm, feeding from the pool below the petals.
When you compare that to something you have watched
all your life–noisy bees hovering over borage
and lavender–you continue to wonder, follow the
threads of your own unanswered questions
step again to the drum, apply pressure
from your fingers wing-like, tap in steady motions
repeat the throbbing of the earth, buried in your heart
somewhere between the buzz and the silence.

–Carla Shafer