Ted Kooser, The Wheeling Year

Ted Kooser’s The Wheeling Year: A Poet’s Field Book has been a favorite on my reading list this year. He doesn’t claim “poetry” for these prose pieces, but they sound like poetry to me. I mean to give the book to a friend, to make a gift of it in all its luscious detail. Instead, I keep carrying it around and not giving it, rereading and writing out these meditative pieces in my own notebook.

Here is one from February:

Maybe we carry too much through the door from the past, propped open with a broom that has swept up so much sentiment it has bent to the shape of its sweeping — like a stiff old floor-length skirt still waltzing — then across the wide porch where those we love, living and dead, sit rocking and talking, all drinking longnecks and laughing together, none of them offering help.

Then over the grass, box after box, to the rented U-Haul that is our life, already stuffed with all we haven’t been able to part with, stale with dead dreams and packed so hastily we will never be able to get to the wisdom we lugged out early and loaded on first.

Twenty-nine dollars a day is the going rate, about what a person could live on if he had to, and the past is right there in the rearview mirror, following close, painted with slogans, its springs bent down from all we ever were. (8)

Louise Glück, “Presque Isle”

Presque Isle, MichiganH

Here’s a poem by Louise Glück, winner of last year’s National Book Award for Poetry. This poem makes me think of something my teacher, Nelson Bentley, used to say, “Recurring memories are poems, asking to be written.”

PRESQUE ISLE

In every life, there’s a moment or two.
In every life, a room somewhere, by the sea or in the mountains.

On the table, a dish of apricots. Pits in a white ashtray.

Like all images, these were the conditions of a pact:
on your cheek, tremor of sunlight,
my finger pressing your lips.
The walls blue-white; paint from the low bureau flaking a little.

That room must still exist, on the fourth floor,
with a small balcony overlooking the ocean.
A square white room, the top sheet pulled back over the edge of the bed.
It hasn’t dissolved back into nothing, into reality.
Through the open window, sea air, smelling of iodine.

Early morning: a man calling a small boy back from the water.
That small boy — he would be twenty now.

Around your face, rushes of damp hair, streaked with auburn.
Muslin, flicker of silver. Heavy jar filled with white peonies.

–Louise Glück

Ellen Bass, “The World Has Need of You”

My introduction to poet Ellen Bass was courtesy of Garrison Keillor’s The Writer’s Almanac, Nov. 19, 2008, when he read “After Our Daughter’s Wedding.” It was a poem I loved so much I printed out copies of it and gave it to friends. I love how deceptively simple her poems are, how they feel almost like a woman sitting down beside you and telling you how her day went. And then, there’s always the surprising image that makes your own imagination leap.

Here’s a poem from her new collection, Like a Beggar (Copper Canyon, 2014). (Click on the title to go to the PBS Newshour review.)

THE WORLD HAS NEED OF YOU

everything here
seems to need us

Rainer Maria Rilke

I can hardly imagine it
as I walk to the lighthouse, feeling the ancient
prayer of my arms swinging
in counterpoint to my feet.
Here I am, suspended
between the sidewalk and twilight,
the sky dimming so fast it seems alive.
What if you felt the invisible
tug between you and everything?
A boy on a bicycle rides by,
his white shirt open, flaring
behind him like wings.
It’s a hard time to be human. We know too much
and too little. Does the breeze need us?
The cliffs? The gulls?
If you’ve managed to do one good thing,
the ocean doesn’t care.
But when Newton’s apple fell toward the earth,
the earth, ever so slightly, fell
toward the apple as well.

Big Poetry Giveaway

Even though I seriously intended, long before poetry month began, to participate in the Great Poetry Giveaway commemorating National Poetry Month, I put off the communication necessary, and it’s now too late to be “official,” on Kelli Russell Agodon’s blog, Book of Kells. Even so, I have two give-aways to share. If you leave your name in the comments section below this post, you’ll be eligible for the drawing to win one of them. Be sure to leave me contact information.

If you don’t want to leave contact information on a public forum, email me at bethany.alchemy@gmail.com. You can still be in the drawing.

Here are the books:

1) Signed copies of my TWO books, Sparrow, published in 2012 by Big Pencil Press, and winner of the Gell Poetry Prize; AND The Coyotes and My Mom, published in 1989 by Bellowing Ark Press (and now out of print). If you already own my books, you’re still welcome to enter the drawing — you can give your new copies to a friend.

2) For my second giveaway, what if I gave away a WHOLE STACK of poetry books? I am, after all, buried in books, drowning in books. So (see the picture), that is what I will do. They begin with Jane Hirshfield’s Of Gravity and Angels (Wesleyan, 1988), a book I’ve read numerous times (it is a bit shopworn). The poem I used on the blog this month, “Woman in a Red Coat,” is included in this collection. THEN, should your name be drawn, you get these others, too, including Ted Kooser’s Splitting an Order, in hardback! 

And all you have to do in order to be included in the drawing, is comment on this post.