Postcard Poetry Month

When I Met My Muse

I glanced at her and took my glasses
off — they were still singing. They buzzed
like a locust on the coffee table and then
ceased. Her voice belled forth, and the
sunlight bent. I felt the ceiling arch, and
knew that nails up there took a new grip
on whatever they touched. “I am your own
way of looking at things,” she said. “When
you allow me to live with you, every
glance at the world around you will be
a sort of salvation.” And I took her hand.

–William Stafford

August is Postcard Poetry month. I hadn’t taken part in the last few years (August is always so busy!), but this year I decided to rejoin, and I’m so glad I did. The idea is to write a new, original poem, on the back of a postcard, and send it to someone on the address list. Each day, someone sends a postcard poem to you. The postcard images are the inspiration…but the received poems and postcards start to mix in, too.

I prepared by collecting short poems that I loved, by other poets, and thinking about what it was that that made me love them. I decided that it has to do with the way a short poem quickly captures an image, and then makes something more of it, something symbolic and surprising. In this poem (above) by William Stafford, you don’t expect the glasses to sing or buzz, but while you’re distracted by that, here comes a new voice, “belled forth,” and the awakening is so keenly drawn that even the nails in the ceiling insist on a role in it.

This awakening, it strikes me, is what all poetry is really about. Be awake. See the world with new eyes. Be saved by what you see.

The poem itself is a pair of glasses. And then there’s the legerdemain — the magic — of the seeing with/without them at the same instant.

image from wikimedia.org

Poetry, Anyone?

directionsAlong with a whole bunch of other poets and writers, I will be reading at Colophon Cafe in Fairhaven/Bellingham tonight, visiting the Chuckanut Sandstone Writers. Open Mike sign-up is at 6:30; reading commences at 6:50. You should join us!

And if you watch the Events tab, I’ll soon be announcing a whole line-up of readings in November, both close to home and in Portland, Oregon. (If you know of a great venue or open mike there, let me know!)

But why should anyone wish to read to a live audience?

When I was a poetry student at the University of Washington, I was lucky enough to be invited to read at the Castalia Reading Series, hosted by the one-and-only Nelson Bentley. I read every quarter, and sometimes more often, and I found a huge difference between writing for myself, secretly, or at least privately, and writing for others. You can experience this to some extent simply by sharing your work with a small group, and by sending your work out to journals. But performing your work aloud, to an audience? That’s magic.

It’s partly hearing the words aloud, which of course you can do in your room all by your lonesome. Except, it’s partly knowing that other people are hearing your words — knowing, as you prepare, that they will hear your work. When it’s your turn to get up there, you notice what your audience responds to, what sort of trills and riffs resonate. Sound matters, and (I’ve found) something happens to the images, too. You see what makes people sit up and pay attention. Then, all of that information has an effect on revisions, and on future poems.  For me, it was a long process of becoming more and more my best writing self.

Listening to other readers is a whole ‘nother part of the experience, of course. All of it extremely scary (at least the first time) and extremely valuable. (Take notes!)

Writing Groups, revisited

http://nataliegoldberg.com/My post yesterday sounded a little…judgmental. I love our small group at Writing Lab, and though I can imagine a few people more in it, for the most part, I like that we’ve stayed small. There’s time to write, and to share work at the end, because of our size.

I love groups that write from prompts, and I’ve done this in the past. Prompts can get you out of your linear, logical brain and into your creative, wild mind (Wild Mind is another Goldberg title).

Critique groups are great and I belong to one that meets sporadically. When I’m procrastinating on finishing a story or an essay, the critique group date gives me a deadline.

For the record: I think ALL writing groups are fabulous. You get to decide what works for you.

Writing Is Like Going On A Very Long Walk

Posted: 03 Aug 2015 09:04 PM PDT [on ADVICE TO WRITERS]

“When you’re writing, it’s rather like going on a very long walk, across valleys and mountains and things, and you get the first view of what you see and you write it down. Then you walk a bit further, maybe you up onto the top of a hill, and you see something else. Then you write that and you go on like that, day after day, getting different views of the same landscape really. The highest mountain on the walk is obviously the end of the book, because it’s got to be the best view of all, when everything comes together and you can look back and see that everything you’ve done all ties up. But it’s a very, very long, slow process.” -ROALD DAHL

Plays Well with Others

I promised a blogpost about writing in community, and even though I’ve now been thinking about this post for a few days, I’m still not quite sure how to shape it.

So I’ll just tell you what I’ve been thinking.

Because I facilitate a writing group (The Writing Lab), which used to be closely associated with my college, and is still loosely associated with it, I frequently talk to people who are curious about our group, but don’t “get it.” I don’t write in groups, one faculty member told me (with a sort of sneer).

I’ve also met people who would like to join us, but “can’t” write in a group. It’s a solitary process for them, I guess. Someone said to me that there’s a reason knitting isn’t a team sport (except people do get together in knitting circles, right?). They would be willing to show up at the end and share their work, I’ve been told. One of these people added, “I think you would enjoy it.” I wasn’t sure how to take that.

The group, as it’s evolved, isn’t about entertaining one another. It’s more like holding our feet to the fire. We are writers, not having-writ-eners (?). (There are critique groups, to which one brings work in draft, of course, and they can be very useful.) Nothing new about this, as there are Natalie Goldberg Writing Down the Bones type groups all over the place.

We don’t write from prompts (we used to, and then we kind of went off in our own direction.) Our group is maybe a little like AA or Weight Watchers. Except instead of quitting alcohol or losing weight, we’ve made a commitment to get together and write. Some of us have made a specific commitment to write on a certain project (I now work only on poetry when I’m at Lab and this is slowly helping me to find my way toward a new manuscript). And even though the other members are receptive and never-critical and pleased in fact with almost everything, having made a commitment to them makes it easier to follow through on that commitment.

You don’t have to travel to belong to a group. Julia Cameron suggests contacting a friend (by email or text, or a quick phone message) to say “I’m going to write now,” and, later, to say “I wrote ____ words” or “____pages.” And there are lots of internet groups for people more technologically savvy than I am. But I like having actual people physically sitting at a table with me.

More than anything else, though, more than sitting at the table even, is the belief that we share: the belief that writing is valuable, that it is worth doing.

“If you believe you can change — if you make it a habit — the change becomes real. This is the real power of habit: the insight that your habits are what you choose them to be. Once that choice occurs — and becomes automatic — it’s not only real, it starts to seem inevitable, the thing, as [William] James wrote, that bears ‘us irresistibly toward our destiny, whatever the latter may be.’

“The way we habitually think of our surroundings and ourselves create the world that each of us inhabit.”
–Charles Duhigg, 
The Power of Habit (273)

By the way, once Duhigg got to William James, he had completely won me over. You could read just the Afterward and Appendix and be inspired (though I think you would then be inspired to read the whole book).

And, please notice, I wouldn’t have written this post at all, had I not promised it to you, dear community of blog-readers. Having a community supporting any goal is a gift.