Points of View

/1 Comment/in , , , /by

“It would be a poor sort of world if one were only able to read authors who expressed points of view that one agreed with entirely. It would be a bland sort of world if we could not spend time with people who thought differently, and who saw the world from a different place.”

-Neil Gaiman, from his introduction to “Rudyard Kipling’s Tales of Horror and Fantasy,” collected in The View from the Cheap Seats (Morrow, 2016)

Today was my last instructional day with my motley crew of English 101 students. Despite my pervasive sense that I was really too busy this quarter to teach a class, I enjoyed this batch of students. They were fresh and enthusiastic. Many of them were still in high school; no one was older than 19. Although they were uniformly very young, they were truly an assortment. They came from all over Snohomish county and from all walks of life — athletes, gamers, science majors, artists — and even represented a small range of ethnic backgrounds. They were conservative and liberal, radical and undecided. We managed to avoid any knock-downs over politics by agreeing that it was better that we didn’t agree on everything. If we all agreed 100%, then we’d be living in a sci-fy world — we’d be clones, or robots. It would be bad.

Neil Gaiman would agree (on that at least), though he’d probably want to explore the subject further by writing a dystopian book about it.

I told my students that I didn’t care how they voted. What I was there to teach them was how to be informed, how to read closely and widely, how to think, and how to write — which can be described as how to have a voice and how to use that voice effectively.

(And while we’re talking about Neil Gaiman, here’s his advice for how to behave in tough times: http://www.uarts.edu/neil-gaiman-keynote-address-2012.)

 

 

Your Job

/0 Comments/in , /by

“The purpose of being a serious writer is not to express oneself, and it is not to make something beautiful, though one might do those things anyway. Those things are beside the point. The purpose of being a serious writer is to keep people from despair. If you keep that in your mind always, the wish to make something beautiful or smart looks slight and vain in comparison. If people read your work and, as a result, choose life, then you are doing your job.” –Sarah Manguso

It Takes a Villain to Make a Good Story

/2 Comments/in , /by

I have been thinking about villains; specifically, I have been wondering why it is that oppressive regimes often give rise to the best art, and why apathy is converted to action by conflict. I have been brooding on how it is that we (that I) will do almost anything to avoid conflict, when — obviously — it is so good for us. Is enlightenment possible without it? Can you play music on strings that have no tension? I think it was Helen Keller who said that it isn’t an absence of hardship that makes us strong, but mastery of it.

As writers, we can’t steep ourselves in a world view that reflects only our own view. We can’t wallow (not for too long). We have to be willing to interview the vampire, deal with the devil, and shake hands with opposing view points. We have to invite in the other, respectfully, and we have to listen much much more than we talk.

If you want to stand up for social justice, then you will need to explore what its opposite looks like.

“To write what you know needn’t mean a fictional rehashing of your own circumstances: it sometimes means taking a single strand from your own life – a small incident, an inexplicably resonant encounter, an unnamed feeling – and giving it to another, a fictional creation with whom you share not race or gender or history, but something both less defining and yet also more profound. A writer cannot make only characters who resemble her; she must allow herself a literary transgression, even if she is not certain she can pull it off – the best characters are always the most frightening to write, and they are frightening to write because they are unlike you, because they are creations, because they appear to be not mere replications of the self. It is, ironically, those characters who are also truest, because in their differences, their othernesses, they make the writer confront the largest, most troubling questions about how we live. To write this way may not be brave: but it is unafraid, and sometimes, in art, one is just as good as the other.” –HANYA YANAGIHARA

(Thanks to Advice to Writers for this quote; my emphasis added)

Poets are the unacknowledged legislators of the world (Percy Bysshe Shelley)

/3 Comments/in /by

This week I finished rereading The Path of Least Resistance by Robert Fritz. This is a book that I read about 15 (or more!) years ago, and which I found during my recent reorganization. Fittingly, the book is all about how to structure one’s life as a creator — and more, a book about choosing to do valuable work in the world, about choosing to be free. It is a book of great optimism for the future. One of the last chapters is a tribute to the legacy of John F. Kennedy, which, according to Fritz, was “not political,” but “orientational” (273):

 

When power leads man toward arrogance, poetry reminds him of his limitations. When power narrows the areas of man’s concerns, poetry reminds him of the richness and diversity of his experience. When power corrupts, poetry cleanses. For art establishes the basic human truths which must serve as the touchstone of our judgment. The artist, faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an offensive state.
– John F. Kennedy

I’ve been trying to read about what one can do in troubled (and troubling) times, and while I’m happy to wear a safety pin in solidarity with the marginalized, the real key, to my mind, is to BE the change, and not just post on Facebook about it.